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My son (1949)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

My son poster

Overview

Tawfiq is an educated merchant who dreams of having a son. When he finally has a boy named Murad, he spoils him and neglects to teach him right from wrong. The son grows up to be a tyrant and causes an innocent man to go to prison, until a gang kidnaps him as punishment for his tyranny.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

Tawfiq is an educated merchant who dreams of having a son. When he finally has a boy named Murad, he spoils him and neglects to teach him right from wrong. The son grows up to be a tyrant and causes an innocent man to go to prison, until a gang kidnaps him as punishment for his tyranny.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film's likely genre as a children's fairy tale by Aleksandr Rou suggests a focus on universal, apolitical themes such as imagination, wonder, and simple morality, rather than engaging with specific political ideologies.

The movie features traditional casting that reflects its Soviet fairy tale genre, without intentional race or gender swaps. Its narrative maintains a neutral to positive framing of traditional identities, consistent with classic storytelling and lacking explicit DEI critiques.

Secondary

The 1963 Soviet children's fantasy film 'День чудесных впечатлений' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a young boy's imaginative adventures, with no elements suggesting queer representation or discussion.

No information is available regarding the plot, characters, or themes of 'Driftins' (1949) by Evelyn Kibar. Therefore, it is not possible to assess the presence or portrayal of transsexual characters or themes within the film.

The movie does not contain any action or adventure elements.

The film "День чудесных впечатлений" (A Day of Wonderful Impressions) is an original Soviet children's fantasy film from 1949. Its characters were created specifically for this production, meaning there is no prior source material or established canon from which their genders could have been swapped.

This 1949 Soviet children's film does not appear to be an adaptation of a pre-existing work with canonically established character races. There is no evidence of a character's race being altered from a source material, previous installment, or historical record.


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