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قبلني يا أبي (1947)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating

Not Rated

قبلني يا أبي poster

Overview

When Arna'out Pasha learns that his son is married to a dancer in secret and that they have a child, he threatens to cut his son off. The son sends his family to Lebanon but as war breaks out, he loses contact with them.


Starring Cast

Bias Dimensions

Political: Strong Left
Diversity: Moderate
Christianity: Positive
Judaism: Positive

Overview

When Arna'out Pasha learns that his son is married to a dancer in secret and that they have a child, he threatens to cut his son off. The son sends his family to Lebanon but as war breaks out, he loses contact with them.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central thesis explicitly promotes anti-colonialism and national liberation, portraying the Viet Minh's struggle against French imperialism as a righteous fight for self-determination, aligning with a clear progressive ideology.

This 1947 documentary about the United Nations naturally includes visible diversity among its cast due to the international nature of its subject. The narrative focuses on promoting the UN's mission of peace and cooperation, presenting traditional identities in a neutral or positive light without critical portrayals.

Secondary

The film, advocating for global unity and the United Nations, portrays adherents of Christianity as part of the diverse human community working towards international peace. The narrative implicitly affirms the dignity of the faith by including it respectfully within this vision of a unified world.

The film, advocating for global unity and the United Nations, portrays adherents of Judaism as part of the diverse human community working towards international peace. The narrative implicitly affirms the dignity of the faith by including it respectfully within this vision of a unified world.

Based on the information available, 'The Ramparts' does not present identifiable LGBTQ+ characters or themes, leading to an N/A classification for its portrayal in this evaluation.

The film 'The Red Mask' (1947) does not appear to feature any transsexual characters or themes. Available plot information and historical context indicate no depiction of transgender identity, leading to a net impact rating of N/A.

The movie does not contain any action or adventure elements.

The Ramparts is a 1947 documentary short film about the history of the United States. There is no evidence of specific named characters from established source material or historical records being portrayed with a different gender.

As a 1947 documentary about the United Nations, "The Ramparts" does not feature fictional characters with established canonical races from source material, nor does it adapt specific historical figures whose race could be altered. Therefore, no race swaps are present.


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