Leans Traditional
6.7
The Dollars Are Coming!
(1957)
Political: Center
Diversity: Low
Angry Posillipo (1919)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Lost Dora Film based on the 1906 song of the same title by Salvatore Gambardella, with music by Ernesto Murolo.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Lost Dora Film based on the 1906 song of the same title by Salvatore Gambardella, with music by Ernesto Murolo.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film likely focuses on the personal and social struggles of a working woman within a specific cultural context, emphasizing human drama and social observation rather than explicit political advocacy or critique.
Based on the historical context of its early 20th-century production by director Elvira Notari, 'Chiarina the Milliner' is assessed as featuring traditional casting and narrative framing. The film is unlikely to include explicit DEI-driven character representation or thematic critiques of traditional identities, consistent with the social and cinematic norms of its era.
Secondary
Without any provided information regarding the film's plot, characters, or themes, it is not possible to assess the presence or portrayal of LGBTQ+ individuals or narratives. Therefore, no depiction can be identified.
Based solely on the title, the film '{King Albert of Belgium visits TR's grave, October, 1919}' does not present any identifiable transsexual characters or themes. Therefore, an assessment of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
No information is provided regarding source material or prior canonical establishment for characters in "Chiarina the Milliner" (1919). Without a baseline for comparison, it is not possible to identify any instances of a gender swap according to the given definition.
This 1919 silent film does not have widely known source material or historical figures with established racial identities that were subsequently changed in the movie. There is no evidence to suggest any character was canonically or historically established as one race and then portrayed as another.
More Like This
Leans Traditional
6.9
Pinocchio
(2019)
Political: Center
Diversity: Low
Traditional
7.8
El Cid
(1961)
Political: Leans Right
Diversity: Low
Traditional
7.3
Voltati Eugenio
(1980)
Political: Leans Right
Diversity: Low
Leans Traditional
7.7
Amleto
(1955)
Political: Center
Diversity: Low
Leans Traditional
7.4
Fuga dall'Albania
(1998)
Political: Center
Diversity: Low
Leans Traditional
7.7
Life Is Beautiful
(1997)
Political: Center
Diversity: Low
Leans Traditional
8.5
Cinema Paradiso
(1988)
Political: Center
Diversity: Low
Leans Traditional
7.3
Dearest Relatives, Poisonous Relations
(1992)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.7
Welcome to the South
(2010)
Political: Center
Diversity: Low
Leans Traditional
6.5
The Best Offer
(2013)
Political: Center
Diversity: Low
Leans Traditional
8.2
The Great Beauty
(2013)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
6.5
Where Am I Going?
(2016)
Political: Leans Right
Diversity: Low
LGBTQ: Positive
Leans Traditional
7.8
Perfect Strangers
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
9.0
The Good, the Bad and the Ugly
(1966)
Political: Center
Diversity: Low
Leans Traditional
6.9
I Hate Summer
(2020)
Political: Center
Diversity: Low
Leans Traditional
7.2
18 Presents
(2020)
Political: Center
Diversity: Low
Traditional
8.7
Rome, Open City
(1945)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.7
Nights of Cabiria
(1957)
Political: Center
Diversity: Low
Leans Traditional
8.6
Once Upon a Time in the West
(1968)
Political: Center
Diversity: Low