Leans Progressive
8.1
Once Were Warriors
(1994)
Political: Leans Left
Diversity: Moderate
Maori Days (1934)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Filmmaker unknown. One of the few tinted silent films in the Archives New Zealand holdings, this film was part of a series completed by the NZ Government Tourist and Publicity Department. This episode depicts weaving with harakeke and the creation of a piupiu.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Judaism: Negative
Overview
Filmmaker unknown. One of the few tinted silent films in the Archives New Zealand holdings, this film was part of a series completed by the NZ Government Tourist and Publicity Department. This episode depicts weaving with harakeke and the creation of a piupiu.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly critiques the exploitative practices of multinational corporations in the global banana trade, highlighting systemic inequalities, labor abuses, and environmental damage, and advocating for fair trade and corporate accountability.
Based on general assumptions for a documentary without specific information regarding its cast or narrative focus, the film is assessed as likely featuring visible diversity among its subjects without explicit DEI-driven casting. The narrative is presumed to offer subtle or indirect social commentary rather than explicitly centering strong DEI critiques or negative portrayals of traditional identities.
Secondary
The film, a Nazi propaganda piece, explicitly demonizes Jewish people, portraying them as exploitative 'international financiers' and 'merchants' who undermine German economic self-sufficiency. It uses antisemitic tropes to reinforce negative stereotypes and incite hatred, presenting this view as the film's objective truth.
The film 'Deutsche Bananen' does not feature any identifiable LGBTQ+ characters or themes. Consequently, there is no specific portrayal to evaluate within the scope of LGBTQ+ representation.
The film 'São Paulo in 24 Hours' does not contain any discernible transsexual characters or themes. Consequently, an evaluation of its portrayal of trans identity is not applicable.
The movie does not contain any action or adventure elements.
There is no widely recognized source material or historical record for "Deutsche Bananen" (1934) that establishes character genders prior to the film's release. Therefore, no characters can be identified as having undergone a gender swap.
There is no evidence that "Deutsche Bananen" (1934) is an adaptation of source material or a biopic featuring characters with a canonically or historically established race that was subsequently changed in the film. The film likely features original characters.
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