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Cuarto Centenario de Magallanes (1921)

Bias Rating
Analyzing...
Traditional
Viewer Rating

Not Rated

Cuarto Centenario de Magallanes poster

Overview


Starring Cast

Bias Dimensions

Political: Leans Right
Diversity: Low
Christianity: Positive

Overview


Starring Cast

Detailed Bias Analysis

Analyzing...
Traditional

Primary

As a film commemorating the Fourth Centenary of Magellan, its focus on historical exploration and human achievement implicitly aligns with themes of national pride and tradition, which are typically associated with right-leaning perspectives.

This historical commemorative film about Ferdinand Magellan's circumnavigation features traditional casting appropriate for its subject and likely production era. The narrative focuses on celebrating historical achievements without critiquing traditional identities or incorporating explicit DEI themes.

Secondary

The film commemorates Ferdinand Magellan's voyage, an expedition deeply intertwined with the spread of Christianity by European powers. As a 1921 commemorative piece, it likely presents Christianity as a foundational and positive aspect of the expedition's motivations and identity, aligning with the virtues and dignity of the faith from the perspective of the era.

Cuarto Centenario de Magallanes is a 1920 Chilean historical documentary. Its narrative focuses on the commemoration of Ferdinand Magellan's circumnavigation, and it does not feature any identifiable LGBTQ+ characters or themes, resulting in no portrayal.

This 1920 historical documentary commemorates Magellan's circumnavigation. The film's subject matter and historical context do not include any identifiable transsexual characters or themes, resulting in an N/A rating for transsexual portrayal.

The movie does not contain any action or adventure elements.

The film is a historical drama commemorating Ferdinand Magellan, a well-documented male historical figure. There is no evidence or historical record to suggest that Magellan or any other established historical character in the film was portrayed as a different gender.

There is no historical record or widely known information indicating that any canonically or historically established character in this 1921 film was portrayed by an actor of a different race.


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