Traditional
7.4
Richard Jewell
(2019)
Political: Leans Right
Diversity: Low
Once Upon a Time – A Modern Fairy Tale (1949)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
"Once Upon a Time – A Modern Fairy Tale, produced in 1949, represents Dollywood’s early period, and the creation of Dutch, English, French, Spanish, and Portuguese versions of the film testifies to the studio’s already international clientele. The use of Technicolor suggests also that this was an important commission for the studio; at the time, many Geesink advertisements were still produced in less-expensive black and white. The Dutch version promotes a popular birch water hair tonic manufactured by Dralle, a German producer of soap, fragrances, and cosmetics with offices across Europe, including the Netherlands." — Leenke Ripmeester
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
"Once Upon a Time – A Modern Fairy Tale, produced in 1949, represents Dollywood’s early period, and the creation of Dutch, English, French, Spanish, and Portuguese versions of the film testifies to the studio’s already international clientele. The use of Technicolor suggests also that this was an important commission for the studio; at the time, many Geesink advertisements were still produced in less-expensive black and white. The Dutch version promotes a popular birch water hair tonic manufactured by Dralle, a German producer of soap, fragrances, and cosmetics with offices across Europe, including the Netherlands." — Leenke Ripmeester
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
As a Soviet-era children's fantasy film, its central themes likely revolve around universal concepts of childhood imagination, friendship, and simple moral lessons, which are largely apolitical in the context of modern US ideological divides.
The movie features traditional casting that reflects its Soviet fairy tale genre, without intentional race or gender swaps. Its narrative maintains a neutral to positive framing of traditional identities, consistent with classic storytelling and lacking explicit DEI critiques.
Secondary
The 1963 Soviet children's fantasy film 'День чудесных впечатлений' does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on a young boy's imaginative adventures, with no elements suggesting queer representation or discussion.
Based on the available information, 'Chopin’s Mazurkas' (1949) does not feature any identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
The film "День чудесных впечатлений" (A Day of Wonderful Impressions) is an original Soviet children's fantasy film from 1949. Its characters were created specifically for this production, meaning there is no prior source material or established canon from which their genders could have been swapped.
This 1949 Soviet children's film does not appear to be an adaptation of a pre-existing work with canonically established character races. There is no evidence of a character's race being altered from a source material, previous installment, or historical record.
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