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Panama Canal--scenes of the finished Canal (1919)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating

Not Rated

Panama Canal--scenes of the finished Canal poster

Overview

Scenes of the Panama Canal, generally in the natural order of passage, from a ship moving from the Atlantic to the Pacific. The ship passes by the Panamanian city of Colón on the Atlantic end, through the channel to Gatun Locks and into Gatun Lake, views of the Gatun spillway and the Chagres River. From here she passes from Gaillard Cut (Culebra Cut), into the Pedro Miguel Locks and into Miraflores Lake. Then through the Miraflores Locks and into the final portion of the canal, passing the Canal Zone towns of Ancon, Balboa, and Balboa Heights. Final views are of the Ancon Hospital (Gorgas Hospital) and the U.S. Administration Building at Balboa.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Low

Overview

Scenes of the Panama Canal, generally in the natural order of passage, from a ship moving from the Atlantic to the Pacific. The ship passes by the Panamanian city of Colón on the Atlantic end, through the channel to Gatun Locks and into Gatun Lake, views of the Gatun spillway and the Chagres River. From here she passes from Gaillard Cut (Culebra Cut), into the Pedro Miguel Locks and into Miraflores Lake. Then through the Miraflores Locks and into the final portion of the canal, passing the Canal Zone towns of Ancon, Balboa, and Balboa Heights. Final views are of the Ancon Hospital (Gorgas Hospital) and the U.S. Administration Building at Balboa.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

This film is a historical record documenting a specific event, King Albert of Belgium's visit to Theodore Roosevelt's grave. It does not present a narrative problem or champion an ideological solution, thus remaining neutral in its political stance.

This historical depiction of King Albert of Belgium visiting Theodore Roosevelt's grave in 1919 features traditional casting consistent with the historical figures and era. The narrative frames traditional identities neutrally or positively, without explicit critique or central DEI themes.

Secondary

Without any provided plot or character information for the film, it is not possible to identify or evaluate the portrayal of LGBTQ+ characters or themes. Therefore, the net impact is determined to be N/A due to a lack of depiction.

Based solely on the title, the film '{King Albert of Belgium visits TR's grave, October, 1919}' does not present any identifiable transsexual characters or themes. Therefore, an assessment of its portrayal is not applicable.

The movie does not contain any action or adventure elements.

This 1919 film documents a historical event involving King Albert of Belgium and the grave of Theodore Roosevelt. As a historical record, it is expected to depict real figures accurately without altering their established gender.

This title refers to a 1919 historical newsreel or documentary footage depicting a real event. It is not an adaptation or fictional portrayal of characters, but a direct record of historical figures. Therefore, the concept of a 'race swap' does not apply.


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