Leans Traditional
7.1
Ghosts of the Abyss
(2003)
Political: Center
Diversity: Low
TR's sons' regiments during war, 1917-1918. [No. 1] (1918)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
![TR's sons' regiments during war, 1917-1918. [No. 1] poster](https://media.themoviedb.org/t/p/w92/null)
Overview
Soldiers walk in formation on a road accompanied by several mounted men. Because of the soldiers' heavy clothing, it must be winter. This group may be the 26th Infantry, Theodore and Archibald Roosevelt's regiment. Following sequence is of biplanes flying in formation; third sequence is shot at a hangar where men appear to be preparing a plane for flight. The second and third sequences may be of Quentin Roosevelt's squadron, the 95th. The last sequence probably represents Kermit Roosevelt's regiment, the 7th Field Artillery. In this sequence a group of men load and fire a cannon.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Soldiers walk in formation on a road accompanied by several mounted men. Because of the soldiers' heavy clothing, it must be winter. This group may be the 26th Infantry, Theodore and Archibald Roosevelt's regiment. Following sequence is of biplanes flying in formation; third sequence is shot at a hangar where men appear to be preparing a plane for flight. The second and third sequences may be of Quentin Roosevelt's squadron, the 95th. The last sequence probably represents Kermit Roosevelt's regiment, the 7th Field Artillery. In this sequence a group of men load and fire a cannon.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
This historical newsreel documents Mrs. Theodore Roosevelt Jr.'s attendance at a Women in War Work Congress in Paris in 1918, primarily serving as factual reporting of a wartime event without explicitly promoting a specific modern political ideology. Its focus on historical documentation and wartime patriotism places it in a neutral category.
This historical film from 1918 documents Mrs. Theodore Roosevelt Jr.'s attendance at a Women in War Work Congress in Paris. As a period piece reflecting actual historical events and figures, it naturally features a predominantly traditional representation without any modern casting choices or intentional diversity initiatives. The narrative focuses on documenting the event and its participants, presenting traditional identities in a neutral or positive light, without engaging in critiques or explicit DEI themes.
Secondary
Based on the title, which describes a historical event from 1918, there is no indication of identifiable LGBTQ+ characters or themes. The subject matter pertains to a specific historical congress, not personal identities or relationships.
No identifiable transsexual characters or themes are present in the provided information for this film. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
This is a historical film from 1918 documenting a real event involving Mrs. Theodore Roosevelt Jr. and other women. There is no indication that any historical figure is portrayed as a different gender than their documented historical gender.
This title refers to historical footage from 1918 depicting Mrs. Theodore Roosevelt Jr. at a real event. As a direct historical recording, it features the actual historical figure, whose race would align with documented history, thus precluding a race swap.
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