Leans Traditional
6.9
'N Sync: Live from Madison Square Garden
(2000)
Political: Center
Diversity: Low
TR on Fifth Avenue, New York, near St. Patrick's Cathedral after attending Mayor Mitchel's funeral (1918)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
As an honorary pallbearer at the funeral of former New York City Mayor John P. Mitchel on July 11, 1918, TR appears with other funeral participants on Fifth Avenue. Surrounded by men in formal dress, TR speaks briefly with unidentified military officer; standing in group are men tentatively identified as Nicholas Murray Butler, president of Columbia University, and financier George W. Perkins, both pallbearers with TR at the funeral; close shot of TR speaking with woman; TR, Butler, and members of the crowd walk past camera.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
As an honorary pallbearer at the funeral of former New York City Mayor John P. Mitchel on July 11, 1918, TR appears with other funeral participants on Fifth Avenue. Surrounded by men in formal dress, TR speaks briefly with unidentified military officer; standing in group are men tentatively identified as Nicholas Murray Butler, president of Columbia University, and financier George W. Perkins, both pallbearers with TR at the funeral; close shot of TR speaking with woman; TR, Butler, and members of the crowd walk past camera.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's title, 'Scenes of the British royal family,' suggests an observational or archival presentation without any explicit narrative or directorial framing. In the absence of specific content details or authorial intent, it is impossible to attribute a political bias, leading to a neutral rating.
The movie, featuring scenes of the British royal family, utilizes traditional casting that reflects the historical and institutional composition of the monarchy. Its narrative frames traditional identities neutrally or positively, without incorporating explicit DEI critiques.
Secondary
The film implicitly portrays Christianity positively through its depiction of the British royal family, who are the heads of the Church of England. Their public duties and dignified presence, presented without critique, affirm the established role and perceived virtues of the faith within the monarchy and state.
Based on the lack of provided film content, no identifiable LGBTQ+ characters or themes could be evaluated. Therefore, the portrayal is categorized as N/A, indicating no depiction.
No identifiable transsexual characters or themes are present in the provided information for this film. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
This 1918 film depicts real historical figures from the British royal family. There is no evidence or historical record to suggest that any member of the royal family was portrayed on screen with a gender different from their documented historical gender.
This 1918 film documents actual scenes of the British royal family. As a historical record, it would depict the real individuals, whose race is historically documented as white, or actors accurately portraying them. There is no evidence or historical context to suggest a race swap occurred.
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