
TR at Baltimore [1918] ; TR at Sagamore [Hill, 1918] (1918)
Not Rated
Overview
Sequences of TR speaking on two occasions: on Sept. 28, 1918, he addresses crowds in Baltimore in support of the fourth Liberty Loan; at Sagamore Hill on April 2, 1918, he encourages workers for the third Liberty Loan. At Oriole Park in Baltimore TR, wearing a mourning armband for his son, Quentin, helps open the fourth Liberty Loan campaign.
Starring Cast
Bias Dimensions
Overview
Sequences of TR speaking on two occasions: on Sept. 28, 1918, he addresses crowds in Baltimore in support of the fourth Liberty Loan; at Sagamore Hill on April 2, 1918, he encourages workers for the third Liberty Loan. At Oriole Park in Baltimore TR, wearing a mourning armband for his son, Quentin, helps open the fourth Liberty Loan campaign.
Starring Cast
Detailed Bias Analysis
Primary
The film's likely focus on the human tragedy of the Romanov family's final days positions it as neutral, as this historical event elicits pathos and reflection on the costs of political upheaval without inherently promoting a specific progressive or conservative ideology.
The movie is assessed as having a light DEI presence. This evaluation is based on neutral assumptions of visible cast diversity without explicit race or gender swaps of traditionally white roles, and a narrative that offers subtle or indirect critique of traditional identities without making DEI themes explicitly central.
Secondary
Without any specific details about the film's content, an evaluation of its portrayal of LGBTQ+ characters and themes cannot be conducted. The assessment is therefore N/A, reflecting the absence of information for analysis.
The film 'The Priest Killer' does not appear to feature any transsexual characters or themes. Publicly available plot details and cast lists do not indicate any such portrayals, leading to a determination of N/A for its net impact on this specific demographic.
The movie does not contain any action or adventure elements.
The film's title alludes to historical events, but without specific character details or their on-screen portrayal, there is no information to indicate any gender swaps from historical figures or established source material.
The provided information for 'Last known home of Czar Nicholas (movie, 1918)' includes only the title and director. Without details on the film's characters, their established race in source material or history, or their on-screen portrayal, it is not possible to identify any instances of a race swap.
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