Leans Progressive
8.3
How to Make Millions Before Grandma Dies
(2024)
Political: Leans Left
Diversity: Moderate
Brothers (1951)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
During their one-year prison sentence, Chop and Yai made up their minds to turn over a new leaf for the sake of their families, unlike Ying who declared he would return to a life of crime. The three went their separate ways. Chop returned home to find his family’s situation deteriorating. His mother had fallen ill, his younger brother Chai was a struggling scriptwriter with no sales, and his sister Chatcharee, who worked at a bar, had become the target of the bar owner, Damrongrit.
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
Overview
During their one-year prison sentence, Chop and Yai made up their minds to turn over a new leaf for the sake of their families, unlike Ying who declared he would return to a life of crime. The three went their separate ways. Chop returned home to find his family’s situation deteriorating. His mother had fallen ill, his younger brother Chai was a struggling scriptwriter with no sales, and his sister Chatcharee, who worked at a bar, had become the target of the bar owner, Damrongrit.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
As a Soviet newsreel, the film explicitly promotes the foundational tenets of communist/socialist ideology, emphasizing collectivism, state planning, and the achievements of the working class under the Soviet system. Its central thesis aligns with a clearly left-wing political stance, advocating for systemic change and anti-capitalist principles.
This newsreel from the Soviet era features a cast that reflects the natural diversity of its time and place, without explicit intentional DEI-driven casting choices. The narrative frames traditional identities in a neutral or positive manner, consistent with the informational and ideological context of a historical newsreel.
Secondary
The film 'Newsreels No. 58' is a Soviet newsreel, a genre primarily focused on factual events and propaganda rather than narrative character development or explicit social themes. No identifiable LGBTQ+ characters or themes are present in the content.
Based on available information, the 1952 film '{Laßt uns auch leben}' does not appear to feature any identifiable transsexual characters or themes. Plot summaries primarily describe a romantic drama about a couple overcoming societal challenges, with no indication of gender identity as a central or peripheral element.
The movie does not contain any action or adventure elements.
Newsreels are documentary-style films reporting on real events and people. They do not typically feature fictional characters with established canonical genders or reinterpret historical figures in a way that would constitute a gender swap.
Newsreels are documentary compilations of actual events and people, not narrative films with fictional characters or adaptations of source material. The concept of a 'race swap' does not apply to this genre.
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