Leans Progressive
7.8
RoboCop
(1987)
Political: Strong Left
Diversity: Low
Airless Passage (1976)
Bias Rating
Analyzing...
Progressive
Viewer Rating
Not Rated
Overview
'My films are abstract visual compositions of calligraphic lines, nebulous forms, and sensuous surfaces. They are successors of abstract expressionist painting, and reveal my concern with painterly 'still' composition. I consider them assemblages, or collages.' -- Bruce Wood
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: High
Overview
'My films are abstract visual compositions of calligraphic lines, nebulous forms, and sensuous surfaces. They are successors of abstract expressionist painting, and reveal my concern with painterly 'still' composition. I consider them assemblages, or collages.' -- Bruce Wood
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film's central thesis explicitly promotes the visibility and normalization of lesbian identity within various public roles, directly aligning with progressive identity politics and social justice advocacy.
The movie explicitly focuses on lesbian identities and their occupations, making DEI central to both its subject matter and narrative. It serves as a public service announcement, directly promoting the visibility and understanding of this specific minority group.
Secondary
Based on the lack of available information, 'Airless Passage' cannot be evaluated for its portrayal of LGBTQ+ characters or themes. There is no data to indicate the presence of any identifiable LGBTQ+ content, resulting in an N/A rating.
No information about the film 'Mill on the Edge of the Wood' was provided, making it impossible to evaluate the presence or portrayal of transsexual characters or themes. Therefore, no assessment of net impact can be made.
The movie does not contain any action or adventure elements.
The film is a public service announcement from 1976. There is no indication of source material, prior installments, or historical figures from which characters' genders could have been established and subsequently swapped.
This 1976 film appears to be an original production, not an adaptation of pre-existing material with canonically established characters or a depiction of historical figures. Therefore, no characters could have been race-swapped from a prior established race.
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