Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
Between Glances (1978)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
"Between Glances... plays with the illusion of depth, with interactions between apparent upper and lower planes. Strong blacks and whites bound the range of grays they encompass, while, periodically, black and white stills devoid of gray tones and of motion demarcate the film's progress." – B. Ruby Rich
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
"Between Glances... plays with the illusion of depth, with interactions between apparent upper and lower planes. Strong blacks and whites bound the range of grays they encompass, while, periodically, black and white stills devoid of gray tones and of motion demarcate the film's progress." – B. Ruby Rich
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, focusing on individual achievement and the craft of stunt work, is inherently apolitical. It does not explicitly promote either progressive or conservative ideologies, instead centering on universal themes of skill, perseverance, and human drama.
The movie's DEI characteristics are assessed as neutral due to the absence of specific details regarding its casting and narrative. This evaluation suggests it does not exhibit strong explicit DEI-driven choices, nor does it lean heavily into traditional portrayals.
Secondary
No information was provided regarding the plot, characters, or themes of 'The Greatest Stuntman Alive'. Therefore, an evaluation of LGBTQ+ portrayal is not possible, and it is categorized as N/A due to the absence of depiction details.
Based on its title, 'Beginning Responsibility: A Lunchroom Goes Bananas' is likely an educational film centered on social conduct. There is no information or contextual clue to suggest the presence of transsexual characters or themes, resulting in an N/A rating for portrayal.
The movie does not contain any action or adventure elements.
The film's characters are not identified as adaptations of pre-existing material or historical figures with established genders. Without prior canon, no gender swap can be identified.
The film "The Greatest Stuntman Alive" (1978) is an original production. No source material, prior canon, or historical figures are provided or widely known for this film, thus there is no established racial baseline for its characters to be compared against.
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