Leans Progressive
8.8
Battleship Potemkin
(1925)
Political: Strong Left
Diversity: Low
Stepan Khalturin (1925)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Low
Christianity: Negative
Overview
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central thesis explicitly promotes revolutionary struggle against autocratic oppression and champions the cause of the working class, aligning with early socialist and anti-capitalist ideologies.
This 1925 Soviet biographical film about a Russian revolutionary features traditional casting appropriate for its historical subject, without any modern diversity-driven recasting. The narrative focuses on the historical figure's life and struggles, presenting traditional identities neutrally or positively, without engaging in contemporary DEI critiques or themes.
Secondary
As a Soviet revolutionary film, 'Stepan Khalturin' likely portrays the Russian Orthodox Church as an oppressive institution allied with the Tsarist regime, serving to pacify the working class and impede revolutionary progress.
The film "Stepan Khalturin" is a Soviet historical drama about a revolutionary. Based on available information, it does not feature any identifiable LGBTQ+ characters or themes, resulting in a 'N/A' rating for LGBTQ+ portrayal.
Without any provided plot details or character information for 'Collision Rescue', it is impossible to determine if transsexual characters or themes are present. Consequently, an evaluation of their portrayal cannot be made, resulting in a net impact rating of N/A.
The movie does not contain any action or adventure elements.
The film is a biopic about Stepan Khalturin, a real historical figure who was male. There is no evidence or historical record to suggest that the film portrayed this character or any other historically established character with a different gender.
Stepan Khalturin was a real historical figure of Russian ethnicity, widely considered white. There is no evidence or historical record to suggest that the 1925 film portrayed him or any other established character as a different race.
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