Leans Progressive
7.8
RoboCop
(1987)
Political: Strong Left
Diversity: Low
Footage from Q&As with Rosa von Praunheim, including MoMA’s Cineprobe Screening, 1972 (1972)
Bias Rating
Analyzing...
Progressive
Viewer Rating
Not Rated
Overview
Footage from rare guerilla recordings of Q&As of IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE, BUT THE SOCIETY IN WHICH HE LIVES following the film’s debut as part of MoMA’s Cineprobe program, and another downtown theater. Shoddily assembled from segments of handheld 16mm footage and roughly synchronized with a reel-to-reel audio recording, the footage features the audience haranguing Praunheim about the possible effects of the film on the perception of the queer liberation movement, both in New York (just a year or so after Stonewall) and internationally. Although the film’s reception may strike us as trite today, it’s a vital document of the trends in activism of the era, as well as MoMA’s role in fostering debate. – Museum of Modern Art
Starring Cast
Bias Dimensions
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Overview
Footage from rare guerilla recordings of Q&As of IT IS NOT THE HOMOSEXUAL WHO IS PERVERSE, BUT THE SOCIETY IN WHICH HE LIVES following the film’s debut as part of MoMA’s Cineprobe program, and another downtown theater. Shoddily assembled from segments of handheld 16mm footage and roughly synchronized with a reel-to-reel audio recording, the footage features the audience haranguing Praunheim about the possible effects of the film on the perception of the queer liberation movement, both in New York (just a year or so after Stonewall) and internationally. Although the film’s reception may strike us as trite today, it’s a vital document of the trends in activism of the era, as well as MoMA’s role in fostering debate. – Museum of Modern Art
Starring Cast
Detailed Bias Analysis
Analyzing...
Progressive
Primary
The film documents Q&As with Rosa von Praunheim, a filmmaker whose work and public discourse in 1972 explicitly promoted queer liberation, challenged societal norms, and critiqued established systems, aligning with radical progressive ideology of the era.
The footage primarily features a white male, which limits visible demographic diversity in its representation. However, the Q&As center on the work of Rosa von Praunheim, a pioneering queer filmmaker, whose artistic output and discussions inherently challenge traditional identities and promote explicit DEI themes.
Secondary
This film, featuring Q&As with pioneering gay filmmaker and activist Rosa von Praunheim, offers an inherently positive and affirming portrayal of LGBTQ+ themes. The discussions likely center on queer identities, experiences, and advocacy, presented from an empathetic and supportive perspective, validating LGBTQ+ lives and love.
Based on the provided information, there are no identifiable transsexual characters or themes present in 'The Secret Army'. Therefore, an evaluation of its portrayal is not applicable.
The movie does not contain any action or adventure elements.
This film consists of Q&A footage featuring the historical figure Rosa von Praunheim. As a documentary-style recording, it presents the individual as their historically established gender, with no indication of a gender swap for any character.
The film is a documentary featuring real historical footage of Rosa von Praunheim and Q&A participants. It does not involve fictional characters or adaptations where a character's established race could be altered. The concept of a race swap, as defined, does not apply to this type of content.
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