Leans Traditional
7.3
Stage Fright
(1950)
Political: Center
Diversity: Low
Women's Work in Wartime (1918)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Women's work' takes on a new meaning in this diverting film showing the range of jobs taken by female workers in WWI, whether delivering post, driving lorries, hauling timber, or selling tickets on the trams. Some of the jobs are physically strenuous, and a few, such as climbing ladders to wash windows, required trousers instead of skirts. The film opens with women making cartridges, and closes in London with the Women's Land Army marching in uniform - just like their far-away men. With men away fighting, women worked in a variety of civilian occupations as well as in munitions factories, directly supporting the war effort. During the war, women proved themselves capable of doing the same work as men, and many of them were reluctant to give up their roles once the soldiers returned. At the end of 1919, the Sex Disqualification (Removal) Act was passed, making it illegal to bar someone from a job based on their gender.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Women's work' takes on a new meaning in this diverting film showing the range of jobs taken by female workers in WWI, whether delivering post, driving lorries, hauling timber, or selling tickets on the trams. Some of the jobs are physically strenuous, and a few, such as climbing ladders to wash windows, required trousers instead of skirts. The film opens with women making cartridges, and closes in London with the Women's Land Army marching in uniform - just like their far-away men. With men away fighting, women worked in a variety of civilian occupations as well as in munitions factories, directly supporting the war effort. During the war, women proved themselves capable of doing the same work as men, and many of them were reluctant to give up their roles once the soldiers returned. At the end of 1919, the Sex Disqualification (Removal) Act was passed, making it illegal to bar someone from a job based on their gender.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's title, 'Women's Work in Wartime,' is purely descriptive of a historical phenomenon, suggesting a neutral approach focused on factual documentation of women's contributions and societal adaptation during conflict, rather than advocating for a specific political ideology.
The movie's focus on women's contributions during wartime inherently highlights a specific demographic and subtly re-frames traditional gender roles. However, there is no information to indicate explicit DEI-driven casting or a strong critique of traditional identities within its narrative.
Secondary
The provided details for 'Women's Work in Wartime' do not include any identifiable LGBTQ+ characters or themes. Consequently, an assessment of its portrayal of LGBTQ+ elements is not applicable, as there is no content to evaluate.
The film 'The Priest Killer' does not appear to feature any transsexual characters or themes. Publicly available plot details and cast lists do not indicate any such portrayals, leading to a determination of N/A for its net impact on this specific demographic.
The movie does not contain any action or adventure elements.
The film's title, "Women's Work in Wartime" (1918), strongly suggests a documentary or fictional piece focused on women's roles during World War I. There is no indication of source material with established characters whose gender would be altered for this production.
The film 'Women's Work in Wartime' (1918) is presented without specific character names or source material. Without established canonical or historical races for any depicted individuals, it is not possible to identify an instance of a race swap.
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