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The price of happiness (1939)

Bias Rating
Analyzing...
Center
Viewer Rating

Not Rated

The price of happiness poster

Overview

Fitna receives a limited education and lives with her father in a popular neighborhood in Alexandria. Her friend Naima, a girl who lives a frivolous life, tempts her to go out with her. As she works as a singer in a bar, Fitna gets arrested, and the warden sympathizes with Fitna, finds her an honest job, and falls in love with her.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Moderate

Overview

Fitna receives a limited education and lives with her father in a popular neighborhood in Alexandria. Her friend Naima, a girl who lives a frivolous life, tempts her to go out with her. As she works as a singer in a bar, Fitna gets arrested, and the warden sympathizes with Fitna, finds her an honest job, and falls in love with her.


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film's narrative appears to focus on universally human experiences and individual character development, without explicitly promoting or critiquing specific political ideologies, leading to a neutral rating.

Without specific details regarding the movie's casting, character diversity, or narrative themes, a definitive assessment of its Diversity, Equity, and Inclusion characteristics cannot be made. Based on the complete lack of information, the evaluation defaults to a neutral stance for both representation and narrative framing.

Secondary

Due to the absence of specific plot details or character descriptions for 'Film n. 2 - Caratteri', an evaluation of its LGBTQ+ portrayal cannot be made. Consequently, the film is categorized as N/A, indicating no identifiable LGBTQ+ content could be assessed from the provided information.

Based on the provided input, 'Brazil: 2nd Part' does not contain identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal is not applicable.

The movie does not contain any action or adventure elements.

Without any information regarding the film's characters, its source material, or historical context, it is impossible to determine if any character's gender has been swapped from a previously established version.

The provided film title is a placeholder, and the director Luigi Veronesi is known for experimental and abstract works, not narrative films with established characters. There is no basis to identify characters with a canonical or historical race that could be subject to a race swap.


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