Leans Progressive
6.9
The Execution Squad
(1989)
Political: Leans Left
Diversity: Moderate
ابن عنتر (1947)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Antar dies and he orders his son to complete the mission. Since Antar's son inherited his father's courage and boldness, he takes it upon himself to fight polytheism and paganism. He works to strengthen the religion of Islam and wages wars against the pagans, until he falls into Gharam, the daughter of an Arab prince, falls in love with him, but there is someone who threatens this nascent love: a pagan prince who wants to marry her.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Race Swap: Yes
Overview
Antar dies and he orders his son to complete the mission. Since Antar's son inherited his father's courage and boldness, he takes it upon himself to fight polytheism and paganism. He works to strengthen the religion of Islam and wages wars against the pagans, until he falls into Gharam, the daughter of an Arab prince, falls in love with him, but there is someone who threatens this nascent love: a pagan prince who wants to marry her.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central narrative, likely based on the legend of Antarah, focuses on an individual's triumph over social prejudice through personal courage and merit. This emphasis on individual responsibility and earning one's place, rather than systemic critique, positions the film as neutral/centrist.
The movie features culturally appropriate casting for its historical subject matter, without engaging in explicit DEI-driven recasting of roles. Its narrative is expected to positively frame its male protagonist, consistent with traditional heroic portrayals.
Secondary
Antarah ibn Shaddad, the historical and canonical figure, was famously of mixed race with an Abyssinian mother, making him a 'black knight.' His son would inherit this defining racial characteristic. The actor portraying the son, Seraj Munir, an Egyptian actor, does not visually represent this specific African heritage, constituting a race swap from the established lineage.
Information regarding the presence of LGBTQ+ characters or themes in the film "{ابن عنتر}" is not available. Therefore, an evaluation of its portrayal of LGBTQ+ elements cannot be conducted, resulting in an N/A rating.
The film 'Good morning (1947)' cannot be evaluated for its portrayal of transsexual characters or themes. No plot, character, or thematic information was provided, making it impossible to determine if any such depictions exist or what their nature might be. Therefore, the assessment defaults to N/A due to a lack of content.
The movie does not contain any action or adventure elements.
The film introduces new characters, such as Antar's son Ghadanfar and a new character named Abla. These characters do not have pre-established canonical genders that are altered in the film. No existing legendary figures from the Antar epic are gender-swapped.
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