Leans Traditional
0.0
O Flagelo da Humanidade
(1925)
Political: Center
Diversity: Low
Sacadura Cabral e Gago Coutinho no Rio de Janeiro (1922)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
The arrival of Sacadura Cabral and Gago Coutinho in Rio de Janeiro. The reception in Catete, the mass in São Cristóvão, etc.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
The arrival of Sacadura Cabral and Gago Coutinho in Rio de Janeiro. The reception in Catete, the mass in São Cristóvão, etc.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's primary objective is to document and celebrate a national event and the beauty of a city, which are largely apolitical themes focused on national identity and cultural display rather than promoting a specific political ideology.
This 1922 silent documentary, which captures a national exhibition and the city of Rio, reflects the societal norms of its era. Its depiction of people and events is factual rather than a result of intentional casting choices for diversity. The narrative focuses on showcasing the exhibition and national pride, without engaging in modern DEI themes or critiquing traditional identities.
Secondary
Based on the available information, the film 'Belezas do Rio e a Exposição de 1922' does not depict any identifiable LGBTQ+ characters or themes. Consequently, the net impact on LGBTQ+ portrayal is N/A.
Due to the unavailability of detailed plot information for 'Formosa' (TmdbID: 1514668), it is not possible to evaluate the presence or portrayal of transsexual characters or themes. Therefore, a net impact assessment cannot be made.
The movie does not contain any action or adventure elements.
This 1922 film is a historical record and travelogue about Rio de Janeiro and the 1922 Exhibition. It does not feature narrative characters established in prior canon or history whose gender could be swapped.
The film 'Belezas do Rio e a Exposição de 1922' is a 1922 production, likely a documentary or contemporary depiction of an event. There is no information provided about specific characters, source material, or historical figures that would establish a canonical or historical race for comparison, making it impossible to identify a race swap.
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