Center
8.6
The Manchurian Candidate
(1962)
Political: Center
Diversity: Low
Noah and the Flood (1962)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
In 1960 CBS commissioned renown composer, Igor Stravinsky, to compose a new ballet composition, Noah and the Flood, that would be adapted for a TV special. This was supposed to be one out of an eight part series of TV specials that featured prominent artists. Most of these specials never came to fruition. The ballet told the story of Noah and the Flood with symbolic references to other biblical narratives. The choreography was directed by George Balanchine and the ballet was performed by the New York City Ballet. An addition to the performance the TV special also included an overview of Stravinsky’s career and an exposition of the biblical context. The performance was aired on CBS in 1962 with Breck shampoo as the sponsor.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Christianity: Negative
Overview
In 1960 CBS commissioned renown composer, Igor Stravinsky, to compose a new ballet composition, Noah and the Flood, that would be adapted for a TV special. This was supposed to be one out of an eight part series of TV specials that featured prominent artists. Most of these specials never came to fruition. The ballet told the story of Noah and the Flood with symbolic references to other biblical narratives. The choreography was directed by George Balanchine and the ballet was performed by the New York City Ballet. An addition to the performance the TV special also included an overview of Stravinsky’s career and an exposition of the biblical context. The performance was aired on CBS in 1962 with Breck shampoo as the sponsor.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores the universal tension between individual instinctual drives and the demands of civilization, focusing on the inherent 'discontents' without explicitly promoting a specific political ideology or offering a partisan solution.
The movie features visible diversity in its cast, consistent with its counter-culture origins, but does not employ explicit DEI-driven casting or intentional race/gender swaps of traditionally white roles. Its narrative, while potentially critical of societal structures, does not explicitly critique traditional identities in a DEI context, maintaining a neutral or positive framing.
Secondary
The film, through its exploration of societal 'discontents' and critique of traditional structures, implicitly portrays Christianity as a contributing factor to repression and alienation within Western civilization. Its narrative questions the virtues of established religious morality.
No identifiable film titled 'Civilization and Its Discontents' by director Paul Morrissey could be found for evaluation. Consequently, no LGBTQ+ characters or themes could be assessed, leading to a determination of N/A for portrayal.
Due to the lack of available plot details or character information for the film "{患难真情} ({movie}, {1962})", it is not possible to assess the presence or portrayal of transsexual characters or themes. Therefore, the film's net impact on this aspect is categorized as N/A.
The movie does not contain any action or adventure elements.
The film "Civilization and Its Discontents" (1962) by Paul Morrissey is not a recognized narrative work with characters that could undergo gender swaps. The title refers to a philosophical essay by Sigmund Freud, which does not feature characters in a manner that would allow for gender-swapped portrayals.
The film "Civilization and Its Discontents" by Paul Morrissey (1962) is not a widely recognized narrative film with established characters from source material or history. Consequently, there are no pre-existing characters whose race could be altered on screen.
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