Progressive
7.2
X-Men
(2000)
Political: Strong Left
Diversity: Moderate
LGBTQ: Positive
Harlem Renaissance: the Black Poets (1971)
Bias Rating
Analyzing...
Leans Progressive
Viewer Rating
Not Rated
Overview
Presents dramatic vignettes which portray the emergence of black poets, essayists, and novelists in the 1920's and 1930's. Includes excerpts from Countee Cullen, Langston Hughes, Fenton Johnson, Georgia Douglas Johnson, Waring Cuney, and W. E. B. DuBois.
Starring Cast
Bias Dimensions
Political: Leans Left
Diversity: Moderate
Christianity: Negative
Judaism: Positive
Overview
Presents dramatic vignettes which portray the emergence of black poets, essayists, and novelists in the 1920's and 1930's. Includes excerpts from Countee Cullen, Langston Hughes, Fenton Johnson, Georgia Douglas Johnson, Waring Cuney, and W. E. B. DuBois.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Progressive
Primary
The film's central subject, a critical exploration of American identity and history by a renowned documentarian, inherently aligns with progressive values of historical accountability and social critique, leading to a left-leaning perspective. It focuses on exploring complexities and questioning established narratives.
This documentary features a diverse range of real individuals, reflecting the social landscape of 1970s America, as it explores various perspectives without fictional casting choices. The narrative implicitly critiques societal norms through the experiences shared by its subjects, rather than explicitly targeting traditional identities.
Secondary
The film critically examines American society in 1971, often highlighting instances where Christian institutions or self-professed Christian values are depicted as hypocritical, complicit in social injustices, or used to justify problematic policies. The narrative offers no significant counterbalancing positive portrayal of the religion's overall societal impact.
The film respectfully includes diverse Jewish voices among its interviewees, presenting their perspectives with nuance and depth. These portrayals contribute to the film's critical insights into American society, aligning with a sympathetic narrative stance towards the faith and its adherents.
This film's portrayal of LGBTQ+ characters and themes cannot be assessed as no information regarding such content was provided. Therefore, it is categorized as N/A, indicating no identifiable LGBTQ+ depiction.
Based on available information for "Bomb Threat!: Plan, Don't Panic," there are no identifiable transsexual characters or themes present. Therefore, the film's net impact on the portrayal of transsexual individuals is not applicable.
The movie does not contain any action or adventure elements.
This film is a documentary featuring interviews with real people and archival footage. It does not involve fictional characters with established canonical genders from source material, nor does it portray historical figures with altered genders. Therefore, the concept of a gender swap does not apply.
As a 1971 documentary, "À la recherche de mon Amérique" features real individuals, not fictional characters with established canonical races from source material or historical figures being portrayed. Therefore, the concept of a 'race swap' does not apply.
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