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Mi Raza: Portrait of a Family (1972)

Bias Rating
Analyzing...
Center
Viewer Rating

Not Rated

Mi Raza: Portrait of a Family poster

Overview

Mi Raza: Portrait of a Family is a documentary about the Navarro-Gonzalez family, a multi-generational Mexican-American family living in Chicago's Pilsen neighborhood, made by anthropologists/filmmakers at the University of Illinois Chicago, Paul Hockings and Susan Stechnij.


Starring Cast

Bias Dimensions

Political: Center
Diversity: Moderate

Overview

Mi Raza: Portrait of a Family is a documentary about the Navarro-Gonzalez family, a multi-generational Mexican-American family living in Chicago's Pilsen neighborhood, made by anthropologists/filmmakers at the University of Illinois Chicago, Paul Hockings and Susan Stechnij.


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

Without specific plot details or thematic information, the film is assessed as neutral, as no discernible political leanings or ideological endorsements can be identified from the provided context.

Due to the absence of specific details regarding the movie's plot, characters, and cast, a comprehensive evaluation of its Diversity, Equity, and Inclusion characteristics cannot be performed. The assigned rating reflects a neutral stance, assuming no explicit DEI-driven casting or narrative framing, nor a purely traditional approach, in the absence of information.

Secondary

Evaluation of LGBTQ+ characters and themes for 'Al día siguiente' is not possible as no plot details or character information were provided in the input.

Based on the provided information, the film 'Mi Raza: Portrait of a Family' does not contain identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of such elements is not applicable.

The movie does not contain any action or adventure elements.

The film "Al día siguiente" (1972) is an original story with characters created specifically for this production. It is not an adaptation of pre-existing material, nor does it feature historical figures or legacy characters from prior installments. Therefore, there are no characters whose gender could have been swapped from an established baseline.

The film "Al día siguiente" (1972) is an original Colombian production. There is no prior source material, historical figures, or previous adaptations with established character races to compare against the film's portrayal. Therefore, no race swap can be identified.


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