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Um Bravo no Nordeste (1931)

Bias Rating
Analyzing...
Leans Progressive
Viewer Rating

Not Rated

Um Bravo no Nordeste poster

Overview

A cattle thief tries to deceive a wealthy landowner by buying his cattle. Arriving at the farm, he falls in love with the colonel's daughter and is willing to marry her. Having sold the herd, the farmer goes to the bank to deposit the money, but the cashier refuses to accept it because the money is fake.


Starring Cast

Bias Dimensions

Political: Leans Left
Diversity: Moderate
Christianity: Positive

Overview

A cattle thief tries to deceive a wealthy landowner by buying his cattle. Arriving at the farm, he falls in love with the colonel's daughter and is willing to marry her. Having sold the herd, the farmer goes to the bank to deposit the money, but the cashier refuses to accept it because the money is fake.


Starring Cast

Detailed Bias Analysis

Analyzing...
Leans Progressive

Primary

The film's central subject matter, focusing on the life and home of a caboclo, inherently aligns with left-leaning themes of cultural preservation, indigenous rights, and community resilience against external pressures, positioning it as a subtle promotion of social justice values.

Based on the absence of specific movie details, the evaluation assumes a neutral stance regarding both character representation and narrative framing, indicating no explicit DEI elements or traditional portrayals are evident.

Secondary

As an ethnographic film documenting rural Brazilian life, 'Casa de Cabloco' portrays folk Catholicism as an integral and respected component of the caboclo community's culture. The narrative depicts Christian practices and beliefs with dignity, showcasing their role in daily life, traditions, and the subjects' identity without critique or satire.

No plot details or character information were provided for 'Casa de Cabloco.' Consequently, an evaluation of the film's portrayal of LGBTQ+ characters and themes, and its net impact, cannot be made.

No plot details or character descriptions were provided for 'The Leaper', making it impossible to assess the presence or portrayal of transsexual characters or themes. Therefore, no evaluation can be made.

The movie does not contain any action or adventure elements.

The film "Casa de Cabloco" (1931) is an original production with no identified prior source material or historical figures whose established genders could be altered. Consequently, no instances of gender swapping are present.

The 1931 film "Casa de Cabloco" is an early Brazilian production. There is no widely established source material or historical record detailing the canonical race of its characters prior to the film's release, making it impossible to identify a race swap.


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