Traditional
6.9
Destination Tokyo
(1943)
Political: Leans Right
Diversity: Low
Glued (1912)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Billy Altman, a photoplay author, unable to sell his manuscripts and being pestered with collectors, attempts to end his life by swallowing a pint of liquid glue. As a suicide potion, the glue is a failure, but Billy discovers that it affects his breath, any object that he happens to breathe upon instantly adheres.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Billy Altman, a photoplay author, unable to sell his manuscripts and being pestered with collectors, attempts to end his life by swallowing a pint of liquid glue. As a suicide potion, the glue is a failure, but Billy discovers that it affects his breath, any object that he happens to breathe upon instantly adheres.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's title describes a historical engineering project, the construction of a railway, without providing any narrative or thematic context to suggest a specific political stance. Therefore, it is assessed as neutral.
Based on the limited information available, which consists solely of the movie title, no specific details regarding casting, character diversity, or narrative themes could be identified. Consequently, no explicit DEI elements or traditional framings were discernible in either representation or narrative.
Secondary
Without any provided details about the film's narrative or characters, it is not possible to evaluate the presence or portrayal of LGBTQ+ themes. Therefore, the film receives an N/A rating for LGBTQ+ depiction.
No available plot summaries, character lists, or historical analyses for the 1912 film "Conway, The Kerry Dancer" indicate the presence of transsexual characters or themes. Therefore, an evaluation of its portrayal is not applicable due to a lack of depiction.
The movie does not contain any action or adventure elements.
This 1912 film, likely a documentary about railway construction, does not feature named characters or adaptations of source material with established genders. There is no information to suggest any canonical or historical figures are portrayed with a different gender.
This 1912 film documents the construction of a railway. There is no evidence of named, plot-relevant characters with established canonical or historical racial identities that were subsequently portrayed by actors of a different race.
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