Leans Traditional
6.6
Hinter Schloss und Riegel
(1932)
Political: Center
Diversity: Low
Magazine Cooking (1914)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Ernest Forrest and Dolly, his wife, are a loving young couple. What Dolly does not know about housekeeping would fill several volumes, but she is a sweet young thing, and they have a good cook. The cook takes a holiday and Dolly, after reading one of the dainty menus in the columns of a lady's magazine, decides to prepare luncheon "all by herself." She starts in bravely to make flannel cakes out of flannel, and other dishes according to her own limited ideas of cookery, then sends a note to her husband telling him to be sure to come to lunch. Ernest rashly invites his employer to take lunch with him, but when Dolly's fearful and wonderful dishes are set before him the situation becomes serious. Fortunately the chief article of the list turns out to be a laughable surprise and the ludicrous aspect of the affair averts disaster for Ernest.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
Ernest Forrest and Dolly, his wife, are a loving young couple. What Dolly does not know about housekeeping would fill several volumes, but she is a sweet young thing, and they have a good cook. The cook takes a holiday and Dolly, after reading one of the dainty menus in the columns of a lady's magazine, decides to prepare luncheon "all by herself." She starts in bravely to make flannel cakes out of flannel, and other dishes according to her own limited ideas of cookery, then sends a note to her husband telling him to be sure to come to lunch. Ernest rashly invites his employer to take lunch with him, but when Dolly's fearful and wonderful dishes are set before him the situation becomes serious. Fortunately the chief article of the list turns out to be a laughable surprise and the ludicrous aspect of the affair averts disaster for Ernest.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, 'Magazine Cooking,' is inherently apolitical, and without further plot details, there is no discernible evidence of political themes or an ideological agenda.
Based on the generic title "Magazine Cooking" and without specific details on its content or casting, the film is assessed as likely having no explicit DEI-driven casting decisions. Its narrative is presumed to focus on culinary themes without engaging in critical portrayals of traditional identities or strong DEI-centric critiques.
Secondary
Based on the information provided, the film 'Magazine Cooking' does not feature any identifiable LGBTQ+ characters or themes. Therefore, an evaluation of its portrayal of queer identity is not applicable.
Due to the absence of any plot details or character descriptions for 'Magazine Cooking (movie)', it is not possible to evaluate its portrayal of transsexual characters or themes. Therefore, the film's net impact on this aspect cannot be determined.
The movie does not contain any action or adventure elements.
This 1914 film is an original production with no known pre-existing source material or established characters whose gender could have been altered. Therefore, no gender swap is present.
No information is available regarding the source material or characters of the 1914 film "Magazine Cooking" to determine if any character's race was canonically established and subsequently changed.
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