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Westinghouse Total Electric Home (1959)

Bias Rating
Analyzing...
Traditional
Viewer Rating

Not Rated

Westinghouse Total Electric Home poster

Overview

A promotional short from Westinghouse.


Starring Cast

Bias Dimensions

Political: Leans Right
Diversity: Low

Overview

A promotional short from Westinghouse.


Starring Cast

Detailed Bias Analysis

Analyzing...
Traditional

Primary

The film's central subject matter of promoting a modern electric home is largely apolitical, but its narrative champions a solution that implicitly reinforces traditional gender roles, the nuclear family, and consumer-driven prosperity, aligning with conservative social and economic values of its era.

The movie features traditional casting, primarily showcasing a mainstream demographic without explicit diversity initiatives. Its narrative presents a positive and uncritical view of traditional identities, aligning with the aspirational goals of a promotional film from its era.

Secondary

The film 'Westinghouse Total Electric Home' is identified as an industrial or promotional piece. Its content is exclusively focused on showcasing home appliances and modern domestic living, without any identifiable LGBTQ+ characters, themes, or related narrative elements. Therefore, there is no depiction of LGBTQ+ individuals or issues.

The 1959 promotional film 'Westinghouse Total Electric Home' centers on demonstrating contemporary home appliances and electric living. There are no identifiable transsexual characters or themes present within the film's narrative, resulting in an N/A rating for its portrayal of such subjects.

The movie does not contain any action or adventure elements.

This 1959 film is an original production, likely a promotional or industrial film, and does not adapt characters from pre-existing source material, historical records, or prior installments. Therefore, no characters could have been established with a different gender before this film's creation.

This 1959 promotional film features original characters created for the production. There is no evidence of source material, prior canon, or historical figures with established racial identities that could be subject to a race swap.


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