Leans Traditional
0.0
César Uribe Piedrahita
(1942)
Political: Center
Diversity: Low
Tota (1946)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
An intimate journey across Lake Tota. With the camera as his logbook, Enrique Uribe White captures the building of his boat, days of sailing, and leisurely afternoons spent with artists and poets along the lake’s shores.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
An intimate journey across Lake Tota. With the camera as his logbook, Enrique Uribe White captures the building of his boat, days of sailing, and leisurely afternoons spent with artists and poets along the lake’s shores.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's subject matter, the construction of a power plant, is primarily technical and industrial, lacking inherent political valence. Without any narrative or thematic elements promoting specific ideologies, the film is assessed as neutral.
Based on the film's title, which suggests a technical documentary about power plant construction, and the absence of specific casting or narrative details, the movie is assessed as reflecting traditional representation and framing. There is no indication of explicit diversity in casting or any narrative focus on DEI themes or critique of traditional identities.
Secondary
This 1917 documentary chronicles the construction of the Rupperswil-Auenstein power plant. Its focus is entirely on industrial processes and historical documentation, with no discernible LGBTQ+ characters or themes present, resulting in a net impact of N/A.
Based on available information, 'Muscle of the Dragon' does not feature any identifiable transsexual characters or themes. The film's narrative focuses on other elements, resulting in no depiction of transgender identity or related issues.
The movie does not contain any action or adventure elements.
This 1946 film is a documentary about the construction of a power plant. It depicts real-world events and people, rather than fictional characters or historical figures whose genders would be subject to alteration from established canon or history.
This 1946 film documents the construction of a power plant. It is highly unlikely to feature named, plot-relevant characters with pre-established canonical or historical races that could be subject to a race swap.
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