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The Day of the Oath (1965)

Bias Rating
Analyzing...
Center
Viewer Rating

Not Rated

The Day of the Oath poster

Overview

"This film presents rare documentary footage of presidential inaugurations, from William McKinley in 1897 to Lyndon Johnson in 1965. The film conveys the strength, stability, and continuity of the U.S. government. Included in the program are highlights of the 1965 inaugural parade, footage from the inaugural balls, and performances by Carol Channing, Louis Armstrong, Margot Fonteyn, and Rudolf Nureyev. The film was produced by News of the Day, written and directed by Walter de Hoog, narrated by James Cagney, and includes original music by Bruce Herschensohn" (US National Archives).


Starring Cast

Bias Dimensions

Political: Center
Diversity: Moderate

Overview

"This film presents rare documentary footage of presidential inaugurations, from William McKinley in 1897 to Lyndon Johnson in 1965. The film conveys the strength, stability, and continuity of the U.S. government. Included in the program are highlights of the 1965 inaugural parade, footage from the inaugural balls, and performances by Carol Channing, Louis Armstrong, Margot Fonteyn, and Rudolf Nureyev. The film was produced by News of the Day, written and directed by Walter de Hoog, narrated by James Cagney, and includes original music by Bruce Herschensohn" (US National Archives).


Starring Cast

Detailed Bias Analysis

Analyzing...
Center

Primary

The film receives a neutral rating due to the lack of specific plot details, which prevents an assessment of ideological context or specific thematic leanings. The 'fantasy' genre itself is broad and can encompass a wide range of narratives without an inherent political bias.

Based on a neutral assessment due to the absence of specific details regarding casting, character diversity, and narrative themes, the movie is evaluated as having a light presence of DEI characteristics. This indicates that while diversity may be visible, there are no explicit race or gender swaps of traditionally white roles, and any DEI themes within the narrative are not explicitly central or critical of traditional identities.

Secondary

Without any provided plot details or character information for '{Fantasy} ({movie})', an evaluation of its LGBTQ+ portrayal cannot be conducted. Therefore, the film is categorized as N/A due to a lack of identifiable LGBTQ+ characters or themes in the given context.

This Andy Warhol screen test is a silent, static portrait of Paul Wittenborn. It lacks any discernible narrative, character development, or thematic content that would depict or address transsexual characters or themes. Therefore, the film has no net impact on the portrayal of transsexual identity.

The movie does not contain any action or adventure elements.

The provided film title and director are placeholders, offering no specific details about the movie's characters or potential source material. Without this information, it is impossible to determine if any character's gender was swapped from a prior established version.

No specific character or source material details were provided for '{Fantasy} (1965)'. Without information on established character races or their on-screen portrayals, it is not possible to determine if any race swaps occurred.


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