Leans Traditional
7.6
The Hand Behind the Mouse: The Ub Iwerks Story
(1999)
Political: Center
Diversity: Low
Ricky Leacock Visit, April 17, 1971 (1971)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Last Ricky tape as I try to pre-answer questions for MOMA show. Then we all tape (bogart) meaning we hand camera around. Ricky et. al. watch the "Arrest" tape.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Last Ricky tape as I try to pre-answer questions for MOMA show. Then we all tape (bogart) meaning we hand camera around. Ricky et. al. watch the "Arrest" tape.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is an observational documentary capturing an interaction between filmmakers, focusing on the craft and personalities within direct cinema rather than promoting any specific political ideology.
This documentary, capturing a visit between filmmakers in 1971, reflects the demographics of its real-life subjects without intentional casting or narrative framing for diversity. Its observational nature means it does not explicitly engage with or critique traditional identities or promote DEI themes.
Secondary
This short documentary film, capturing a visit between Shirley Clarke and Ricky Leacock, does not feature any identifiable LGBTQ+ characters or themes. The narrative focuses on their interaction and the observational style of direct cinema, thus rendering the portrayal of LGBTQ+ elements as N/A.
Based on available information, the film 'The Red Dwarf' does not appear to feature identifiable transsexual characters or themes. Consequently, its portrayal of transsexual individuals and related topics is rated as N/A.
The movie does not contain any action or adventure elements.
The film's title suggests a documentary or direct recording of a real historical figure, Ricky Leacock (Richard Leacock), who was male. There is no indication that Leacock or any other established character is portrayed on screen as a different gender.
This film is a documentary featuring the actual historical figure, Ricky Leacock, appearing as himself. The concept of a 'race swap' applies to characters portrayed by actors, not to real individuals appearing in a documentary.
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