Leans Traditional
7.6
The Swordsman
(2020)
Political: Leans Right
Diversity: Moderate
Hands of Lightning (1982)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Baek-Chun, Baek-Ryong, and Baek-Ran lost their father. Aimless and wandering the streets, they find trouble with Paeng's gang who works for the nobleman, Jin. How far will the gangster go, and who will help the siblings against the gangsters?
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Buddhism: Positive
Overview
Baek-Chun, Baek-Ryong, and Baek-Ran lost their father. Aimless and wandering the streets, they find trouble with Paeng's gang who works for the nobleman, Jin. How far will the gangster go, and who will help the siblings against the gangsters?
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film explores the role of manga in contemporary Japanese life, presenting a cultural and sociological observation without an explicit political agenda or a championed solution to a societal problem, thus remaining neutral.
This documentary, focusing on Japanese manga and contemporary Japanese life, naturally features a cast reflecting its cultural subject matter. The narrative primarily explores its topic without explicitly critiquing traditional Western identities or making DEI themes central to its core message.
Secondary
As a documentary exploring contemporary Japanese life and culture, the film likely portrays Buddhism as an integral and respected aspect of daily practices and traditions. Its depiction would focus on its societal role and presence without overt critique, aligning with a positive acknowledgment of its place.
Without any provided plot or character details for 'Manga, the cartoon in contemporary Japanese Life (movie)', an evaluation of its LGBTQ+ portrayal is not possible. Therefore, no identifiable LGBTQ+ characters or themes can be confirmed.
The movie does not contain any action or adventure elements.
This 1982 film is a documentary exploring manga's role in Japanese life. It does not feature fictional characters adapted from source material or historical figures portrayed in a narrative, thus the concept of a gender swap does not apply.
This film is a 1982 documentary exploring manga and Japanese life. As a non-fiction work, it does not feature fictional characters from source material or historical figures being portrayed by actors, thus precluding the possibility of a race swap.
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