Traditional
7.2
Crows Zero II
(2009)
Political: Leans Right
Diversity: Low
Molester Diary: A Man Who Kept Stroking Ass 2 (1995)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
The familiar Chikan group members who bite into the buttocks of women in the crowd of crowded trains and are absorbed in lewd acts without discipline today. Leader Kawasaki and Gum man, and a manga artist I. For some reason, I took on the role of a bodyguard to protect Kawasaki's daughter from molesting, but what was the father of the molesting young man who was also a molester !? The ties between the parents of the molester are intertwined, and the two are exactly Romeo and Juliet. From an idol to an actress ── Misa Aika fascinates her with her body-hugging performance against Kazuya Takahashi and Yoshiyuki Ohmori. The director is Tadafumi Tomioka, who received high praise for his sensual visual beauty and detailed production in his younger brother's work. A masterpiece that goes beyond the common sense of molester movies! The second installment of the popular metamorphosis pure love movie "Ass Stroke" series, which was praised by the media and film critics!
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
LGBTQ: Negative
Overview
The familiar Chikan group members who bite into the buttocks of women in the crowd of crowded trains and are absorbed in lewd acts without discipline today. Leader Kawasaki and Gum man, and a manga artist I. For some reason, I took on the role of a bodyguard to protect Kawasaki's daughter from molesting, but what was the father of the molesting young man who was also a molester !? The ties between the parents of the molester are intertwined, and the two are exactly Romeo and Juliet. From an idol to an actress ── Misa Aika fascinates her with her body-hugging performance against Kazuya Takahashi and Yoshiyuki Ohmori. The director is Tadafumi Tomioka, who received high praise for his sensual visual beauty and detailed production in his younger brother's work. A masterpiece that goes beyond the common sense of molester movies! The second installment of the popular metamorphosis pure love movie "Ass Stroke" series, which was praised by the media and film critics!
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter of taboo relationships and extreme sexual obsession primarily explores psychological drama and transgression, lacking an explicit promotion or critique of a specific political ideology or a clear societal solution.
The movie features a cast that reflects its regional origin, providing diversity without engaging in explicit race or gender swaps of roles traditionally associated with Western mainstream cinema. Its narrative does not prominently feature explicit critiques of traditional identities or central DEI themes.
Secondary
The film centers on a bisexual protagonist whose intense relationships, both heterosexual and homosexual, are fraught with obsession and violence. While her identity is central, the narrative offers no positive affirmation, instead depicting a life of unrelieved misery and tragic, destructive outcomes for all involved, leading to a net negative portrayal.
Based on the information provided, the film's portrayal of transsexual characters and themes cannot be assessed. There are no available plot details or character descriptions to determine if any transgender individuals or related themes are present, or how they might be depicted. Therefore, a net impact rating cannot be determined.
The movie does not contain any action or adventure elements.
The film "Blood Lovers" (1995) is an original Hong Kong production, not an adaptation of pre-existing material, a biopic, or a reboot of legacy characters. Its characters were created for this specific film, thus there is no prior canonical or historical gender to swap.
This 1995 Hong Kong film is an original production and not an adaptation of existing source material with pre-established characters of a specific race. Therefore, no characters were canonically, historically, or widely established as one race and then portrayed as a different race.
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