Center
8.0
Children of Heaven
(1997)
Political: Center
Diversity: Moderate
Recreation of a Hunting Scene on the Roof (1901)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
This film that is recorded on the roof of Golestan Palace, shows Mozaffar ad-Din Shah Qajar and the rest of palace residents walking and looking far at the sky to watch or shoot birds. It might at first look like a short documentary movie but it is actually a drama in which the Shah plays the role of himself in an attempt to remake the real hunting/watching scene.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Overview
This film that is recorded on the roof of Golestan Palace, shows Mozaffar ad-Din Shah Qajar and the rest of palace residents walking and looking far at the sky to watch or shoot birds. It might at first look like a short documentary movie but it is actually a drama in which the Shah plays the role of himself in an attempt to remake the real hunting/watching scene.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
As a very early cinematic work depicting a staged hunting scene, the film lacks any discernible narrative or thematic depth that could convey a political message. Its focus is on simple depiction, rendering it entirely neutral.
The film, an early 20th-century Iranian production, features a cast reflecting its cultural context, which does not involve explicit DEI-driven recasting of traditionally white roles. Its narrative is expected to portray characters without engaging in critical portrayals of traditional identities, aligning with the historical and cultural context of its creation.
Secondary
As a very early, short documentary-style film from 1900, 'Recreation of a Hunting Scene on the Roof' focuses solely on a staged hunting event. The film does not feature any discernible characters or narrative elements related to LGBTQ+ identities or themes, resulting in no portrayal.
No film content was provided for analysis. Therefore, it is not possible to evaluate the presence or portrayal of transsexual characters or themes in "Over The Tay Bridge On An Express Train." The net impact is categorized as N/A.
The movie does not contain any action or adventure elements.
This 1901 film is an original work, not an adaptation of existing material or a biopic. Therefore, there are no pre-established characters with canonical or historical genders that could be subject to a gender swap.
This 1901 film is an early work with no known prior source material, established characters, or historical figures whose race could be canonically or historically defined. Therefore, no race swap can be identified.
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