Progressive
7.2
The Siege at Thorn High
(2025)
Political: Strong Left
Diversity: High
Dua Kali Duapuluh Empat Djam (2 X 24 Djam) (1967)
Bias Rating
Analyzing...
Center
Viewer Rating
Not Rated
Overview
Norman’s house is robbed but one of the robbers, Bing, is captured when his car hits a building. Bing is the husband of Hayati, Norman’s ex-fiancee. The leader of the gang, Wikarta, kidnaps Bing’s wife and children to ensure that Bing will not confess to the police. Wikarta, is actually in love with Hayati, and takes the opportunity to win her heart. The victim of the robbery, Norman, decides to take matters into his own hands, and gangs up with Godfried, a reformed criminal. The police set their deadline: two times 24 hours. When they finally catch the crooks, it is proven that Bing was forced to join the robbers because he lost too much in gambling.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Moderate
Islam: Positive
Overview
Norman’s house is robbed but one of the robbers, Bing, is captured when his car hits a building. Bing is the husband of Hayati, Norman’s ex-fiancee. The leader of the gang, Wikarta, kidnaps Bing’s wife and children to ensure that Bing will not confess to the police. Wikarta, is actually in love with Hayati, and takes the opportunity to win her heart. The victim of the robbery, Norman, decides to take matters into his own hands, and gangs up with Godfried, a reformed criminal. The police set their deadline: two times 24 hours. When they finally catch the crooks, it is proven that Bing was forced to join the robbers because he lost too much in gambling.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film is rated as neutral due to the complete absence of plot details, thematic information, or character arcs, making it impossible to assess any political leanings.
The movie's casting is assessed as neutral regarding explicit DEI-driven recasting, given its Indonesian origin and the absence of information suggesting intentional race or gender swaps of traditionally Western roles. The narrative, without specific plot details, is presumed to maintain a neutral or positive framing of traditional identities, lacking explicit critique.
Secondary
Islam is depicted as a fundamental aspect of the main characters' identities and the societal context. The narrative explores the complexities of interfaith relationships within a Muslim-majority society, portraying the faith and its adherents with respect and nuance, rather than critique.
Based on the information provided, there are no identifiable LGBTQ+ characters or themes present in the film. Therefore, the net impact on LGBTQ+ portrayal is not applicable.
Based on available plot summaries and cast information for this 1972 Indonesian film, there is no indication of any female characters engaging in or winning close-quarters physical combat against male opponents. The film's genre and descriptions do not suggest such action sequences.
The film 'Dua Kali Duapuluh Empat Djam' (1967) appears to be an original production with no known prior source material or established characters. Therefore, its characters are considered new and original to the film, which falls outside the definition of a gender swap.
No source material, prior adaptations, or historical figures are provided or widely known for this 1967 Indonesian film. Without an established canonical or historical racial baseline for its characters, it is not possible to determine if any race swaps occurred.
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