Leans Traditional
4.0
Danse fantaisiste
(1902)
Political: Center
Diversity: Low
La Gigue (1902)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a simple, apolitical depiction of a man dancing a jig, lacking any discernible political themes, problems, or solutions, thus maintaining a neutral stance.
This early silent film, featuring a simple dance performance, reflects the traditional casting and narrative conventions of its era. It does not engage with themes of diversity, equity, or inclusion, focusing instead on the performance itself.
Secondary
La Gigue is a brief silent film from 1900, primarily showcasing a dance. Given its historical context and simple, non-narrative content, the film does not present any identifiable LGBTQ+ characters or themes, leading to a determination of N/A for its portrayal.
La Gigue is an early silent film focused on a dancer and visual costume changes. It does not contain any identifiable transsexual characters or themes. The film's content is purely a visual spectacle, lacking any narrative depth or character exploration relevant to transgender identity.
The movie does not contain any action or adventure elements.
La Gigue is an original short film from 1902, not an adaptation, biopic, or reboot. The characters were created for this film, so there is no prior canonical or historical gender to establish a baseline for a gender swap.
La Gigue (1902) is an original short film featuring a single dancer. There is no prior source material, historical figure, or established canon for the character's race to be compared against, thus precluding a race swap.
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