Leans Traditional
7.6
Bridge to Terabithia
(2007)
Political: Center
Diversity: Low
The Awakening of John Bond (1911)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A slumlord learns just how important it is to maintain clean living quarters when his wife contracts tuberculosis.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
A slumlord learns just how important it is to maintain clean living quarters when his wife contracts tuberculosis.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
Due to the complete absence of available plot details or thematic information for 'The Awakening of John Bond,' an objective assessment of its political bias is not possible. Therefore, a neutral rating is assigned.
This 1914 silent film features traditional casting practices typical of its era, with no apparent intentional diversity in character representation. The narrative does not critique traditional identities or incorporate explicit DEI themes, aligning with the societal norms of its time.
Secondary
The film's narrative portrays the moral 'awakening' or reformation of John Bond as a positive transformation. In the context of 1911 American cinema, such a moral uplift is implicitly aligned with Christian virtues of redemption, sobriety, and family values, which the film affirms as leading to a better life.
The film 'The Awakening of John Bond' does not contain any discernible LGBTQ+ characters or themes within its narrative. Consequently, an evaluation of its portrayal of LGBTQ+ elements is not applicable, as there are no such depictions to assess.
The film "The Awakening of John Bond" does not feature any identifiable transsexual characters or themes. The narrative focuses on a man's amnesia and subsequent romantic entanglements, with no elements related to gender identity or transition present in the plot.
The movie does not contain any action or adventure elements.
This 1911 silent film is not an adaptation of a known source material with established character genders that were subsequently altered. All characters are presumed original to the film, thus no gender swaps can be identified.
There is no readily available information indicating that any character in this 1911 film had a canonically, historically, or widely established race prior to its release that was subsequently changed. Therefore, no race swap can be identified.
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