Traditional
6.9
Barbershop
(2002)
Political: Leans Right
Diversity: Moderate
LGBTQ: Negative
An Hour Before Dawn (1913)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A female detective goes undercover as a chorus girl to solve the murder of a scientist whose son was threatened with disinheritance for his a romance with a chorus girl.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
A female detective goes undercover as a chorus girl to solve the murder of a scientist whose son was threatened with disinheritance for his a romance with a chorus girl.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's core conflict and its resolution are centered on universal themes of truth, justice, and individual perseverance against deception, without aligning with specific progressive or conservative political ideologies.
The movie, released in 1913, features traditional casting practices typical of its era, without any intentional diversity-driven recasting. Its narrative maintains a neutral or positive framing of traditional identities, consistent with the cinematic conventions of the early 20th century.
Secondary
The film portrays a Christian mission as a benevolent institution offering redemption and moral guidance to a fallen woman, aligning the narrative with the virtues of faith-based charity and societal uplift.
The film 'An Hour Before Dawn' (1913) does not feature any discernible LGBTQ+ characters or themes based on available plot details and historical reviews. Therefore, an evaluation of its portrayal of queer identity is not applicable.
An Hour Before Dawn, a 1913 silent drama, does not feature any identifiable transsexual characters or themes. The narrative focuses on a conventional melodrama involving romance, family obligations, and a legal mystery, without any elements related to transgender identity.
The movie does not contain any action or adventure elements.
This 1913 silent film features original characters typical of the era's melodramas. There is no evidence of it being an adaptation of a work with pre-established characters whose genders were subsequently changed for this production.
Given the film's production year (1913) and the historical context of early cinema, there is no evidence or historical record to suggest that any character canonically or historically established as one race was portrayed on screen as a different race.
More Like This
Center
7.8
The Nun's Story
(1959)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Sugarland Express
(1974)
Political: Center
Diversity: Low
Leans Traditional
7.4
The Muppet Christmas Carol
(1992)
Political: Center
Diversity: Low
Leans Traditional
7.6
Bridge to Terabithia
(2007)
Political: Center
Diversity: Low
Traditional
8.1
Rope
(1948)
Political: Center
Diversity: Low
LGBTQ: Negative
Traditional
7.4
Richard Jewell
(2019)
Political: Leans Right
Diversity: Low
Traditional
8.4
The Deer Hunter
(1978)
Political: Leans Right
Diversity: Low
Traditional
7.0
Rocky Balboa
(2006)
Political: Leans Right
Diversity: Low
Leans Traditional
7.0
The Good Girl
(2002)
Political: Center
Diversity: Low
Leans Traditional
7.8
The Prestige
(2006)
Political: Center
Diversity: Low
Traditional
6.7
Black Sunday
(1977)
Political: Leans Right
Diversity: Low
Leans Traditional
8.0
Rocky
(1976)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.2
The Pursuit of Happyness
(2006)
Political: Leans Right
Diversity: Moderate
Leans Traditional
6.9
The Towering Inferno
(1974)
Political: Center
Diversity: Low
Leans Traditional
6.9
Rocky II
(1979)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.4
Hustle & Flow
(2005)
Political: Leans Right
Diversity: Moderate
Leans Traditional
7.3
Marathon Man
(1976)
Political: Center
Diversity: Low
Leans Traditional
8.0
Deliverance
(1972)
Political: Center
Diversity: Low
Leans Traditional
8.0
Blue Velvet
(1986)
Political: Center
Diversity: Low