Leans Traditional
7.7
He Who Gets Slapped
(1924)
Political: Center
Diversity: Low
The Lion, the Lamb and the Man (1914)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
A spirited young college graduate is sent away to the Kentucky mountains to live with her uncle after returning home and scorning the effete minister her parents had chosen for her husband. One day, finding herself lost in the wilderness, she is rescued by two brothers who fall in love with her—but as they compete for her affections with increasing ferocity, her feelings become conflicted. Partially lost: the second of two reels survives.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Positive
Overview
A spirited young college graduate is sent away to the Kentucky mountains to live with her uncle after returning home and scorning the effete minister her parents had chosen for her husband. One day, finding herself lost in the wilderness, she is rescued by two brothers who fall in love with her—but as they compete for her affections with increasing ferocity, her feelings become conflicted. Partially lost: the second of two reels survives.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is rated neutral due to the complete absence of plot details, character information, or thematic content, making it impossible to assess any political leanings.
This 1914 film reflects the casting and narrative norms of its era, featuring traditional representation without explicit DEI-driven casting choices. The narrative maintains a neutral or positive framing of traditional identities, consistent with the filmmaking practices of the early 20th century.
Secondary
Typical of its era, the film likely promotes virtues such as redemption, forgiveness, and moral transformation. These themes, presented positively by the narrative, implicitly align with the ethical framework and dignity of Christianity prevalent in 1914 Western cinema.
The film 'The Lion, the Lamb and the Man' (1915) does not appear to feature any LGBTQ+ characters or themes. Its narrative focuses on a drama involving a man seeking revenge for a wrongful accusation, with no elements related to queer identity or experiences.
The film 'The Lion, the Lamb and the Man' from 1914 does not feature any identifiable transsexual characters or themes within its narrative. Therefore, an evaluation of its portrayal of such elements is not applicable.
The movie does not contain any action or adventure elements.
As a 1914 film, "The Lion, the Lamb and the Man" is an original production or an early adaptation, predating the concept of established legacy characters or widely known canonical genders that could be subject to a gender swap.
This 1914 silent film features generic characters without prior established racial identities in source material or previous adaptations. There is no evidence of any character being canonically or historically defined as one race and then portrayed as another.
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