Leans Traditional
8.4
The Thin Man
(1934)
Political: Center
Diversity: Low
His First Love (1918)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Polly persists in putting to Henry the embarrassing question, "Henry, am I really the first woman you ever loved or asked to marry you?" The arrival on the scene of one of the numerous women of Henry's affectionate past causes him to sweat drops of blood until he discovers that the only confidence exchanged with his wife by the mischievous lady is the news that she is engaged to be married.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Polly persists in putting to Henry the embarrassing question, "Henry, am I really the first woman you ever loved or asked to marry you?" The arrival on the scene of one of the numerous women of Henry's affectionate past causes him to sweat drops of blood until he discovers that the only confidence exchanged with his wife by the mischievous lady is the news that she is engaged to be married.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
His First Love is rated neutral because its central subject matter of young love and courtship is inherently apolitical, focusing on universal human experiences and personal relationships rather than promoting or critiquing any specific political ideology.
This early 20th-century film features casting and character portrayals consistent with the traditional norms of its era, primarily showcasing mainstream representation. The narrative focuses on themes typical of its time, without presenting explicit DEI themes or critiques of traditional identities.
Secondary
The film 'His First Love' (1914) is a silent romantic comedy short. Analysis of its plot and characters reveals no discernible LGBTQ+ representation or themes. Therefore, the film does not contribute to the portrayal of LGBTQ+ individuals or issues, resulting in a 'N/A' rating.
The film "His First Love" (1918) includes a plot element of a character in disguise as the opposite sex. However, this is presented as a temporary masquerade for narrative purposes, not as an exploration or depiction of transsexual identity or themes. Therefore, no identifiable transgender characters or themes are present in the context of the rubric.
The movie does not contain any action or adventure elements.
This 1918 film is an original production. There is no evidence of prior source material or established characters from which any character could have been gender-swapped.
This 1918 silent film is an original production and not an adaptation of a prior work with established character races, nor does it depict historical figures. Therefore, no characters meet the definition of having their race swapped from a pre-existing canon.
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