2.3
Viewer Rating
Combines user and critic ratings from four sources
A víg özvegy (1920)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 2.3
Overview
Early Hungarian silent version of Franz Lehar operetta about a soldier ordered to return a rich widow to her native country, in order to protect its economy.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Early Hungarian silent version of Franz Lehar operetta about a soldier ordered to return a rich widow to her native country, in order to protect its economy.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central subject matter, a lighthearted romantic operetta focused on a fictional nation's financial stability as a comedic plot device, is fundamentally apolitical. It does not promote or critique specific political ideologies, resulting in a neutral rating.
This 1934 musical film features a cast that is predominantly white, reflecting the common casting practices of its era without intentional diversity initiatives. The narrative focuses on romantic comedy within a traditional setting, presenting traditional identities neutrally or positively without engaging in critical portrayals or explicit DEI themes.
Secondary
Michael Curtiz's 'A víg özvegy' (The Merry Widow) is a romantic comedy centered on heterosexual relationships. The film does not feature any identifiable LGBTQ+ characters or themes, nor does its narrative touch upon queer experiences or identities. Therefore, there is no LGBTQ+ portrayal to evaluate.
The film "A víg özvegy" (The Merry Widow), a 1918 silent adaptation of the operetta, does not feature any identifiable transsexual characters or themes. Its narrative focuses on traditional romantic and diplomatic plotlines, consistent with the source material and filmmaking conventions of its era.
The movie does not contain any action or adventure elements.
The 1920 film "A víg özvegy" is an adaptation of the operetta "The Merry Widow." All major characters, such as Hanna Glawari and Count Danilo, retain their established genders from the source material in this screen version.
The 1920 film is an adaptation of a 1905 operetta set in a fictional European principality. The characters, implicitly white in the source material, are portrayed by white actors in the film, with no instances of a character's race being changed.
Viewer Rating Breakdown
User Ratings
4.5
N/A
Critic Ratings
N/A
N/A
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