Leans Traditional
7.3
The Singer
(2006)
Political: Center
Diversity: Low
Miarka, la fille à l'ourse (1920)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Miarka is to marry a gypsy chief - whereabouts unknown. She and her tame bear live upon the estate of an old gentleman who tolerates them because of his interest in gypsies, and more particularly because he has a gypsy document which he cannot decipher. One day, the gardener, who is in love with Miarka, robs the master and sets fire to the home, making it appear that she is the guilty one.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Christianity: Negative
Overview
Miarka is to marry a gypsy chief - whereabouts unknown. She and her tame bear live upon the estate of an old gentleman who tolerates them because of his interest in gypsies, and more particularly because he has a gypsy document which he cannot decipher. One day, the gardener, who is in love with Miarka, robs the master and sets fire to the home, making it appear that she is the guilty one.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores universal themes of social ostracization and the search for belonging through an individual's journey, focusing on personal resilience and emotional drama rather than explicit political commentary or systemic critique.
This 1920 French silent film features traditional casting consistent with its era, primarily depicting white European characters without intentional diversity initiatives. The narrative focuses on its period's themes and does not present critical portrayals of traditional identities or incorporate explicit DEI themes.
Secondary
The film portrays institutional Christianity, particularly through the judgmental attitudes of villagers and societal norms, as rigid and unforgiving towards Miarka, the protagonist. It highlights how religious dogma can contribute to social ostracization rather than compassion.
The film 'Miarka, la fille à l'ourse' does not appear to feature any LGBTQ+ characters or themes. Available information, including plot summaries and historical context for this 1920 silent film, indicates no depiction of queer identity or related narratives. Therefore, the film's net impact on LGBTQ+ portrayal is N/A.
The film "Miarka, la fille à l'ourse" does not contain identifiable transsexual characters or themes. Consequently, an evaluation of its portrayal of transsexual identity is not applicable, as there is no depiction to assess.
The movie does not contain any action or adventure elements.
The film is an adaptation of Jean Richepin's novel, "Miarka, la fille à l'ourse." The titular character, Miarka, is consistently portrayed as female in both the source material and the 1920 film adaptation, with a female actress in the role. No other significant characters are identified as having undergone a gender swap.
The film adapts a novel featuring Romani characters. The actors portraying these roles were European. While Romani is a distinct ethnic group, this casting represents an ethnic shift rather than a change in a broader racial category, aligning with the definition's exclusion for ethnicity shifts.
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