Leans Traditional
7.6
Bridge to Terabithia
(2007)
Political: Center
Diversity: Low
Slander the Woman (1923)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Not Rated
Overview
Through circumstantial evidence, Yvonne Desmarest is branded by Judge Duroacher as the "other woman" in a sensational murder case. She retreats to her father's hunting lodge near Hudson Bay, Canada, where she meets Scarborough, an Indian girl, and Émile (an old trapper who becomes her protector). Realizing his error, Duroacher follows Yvonne, thus precipitating a series of events in which the judge is suspected of murdering Scarborough, and Émile injures Duroacher out of jealousy. Yvonne's name is cleared, as is that of Émile, who has been sought for many years on a murder charge. Yvonne and Duroacher realize their love for each other.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
Through circumstantial evidence, Yvonne Desmarest is branded by Judge Duroacher as the "other woman" in a sensational murder case. She retreats to her father's hunting lodge near Hudson Bay, Canada, where she meets Scarborough, an Indian girl, and Émile (an old trapper who becomes her protector). Realizing his error, Duroacher follows Yvonne, thus precipitating a series of events in which the judge is suspected of murdering Scarborough, and Émile injures Duroacher out of jealousy. Yvonne's name is cleared, as is that of Émile, who has been sought for many years on a murder charge. Yvonne and Duroacher realize their love for each other.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's political bias cannot be determined due to the absence of specific plot details. The themes of slander, reputation, and justice, as suggested by the title, are broad enough to be explored from various ideological perspectives without an inherent lean.
This film, released in 1923, features traditional casting practices typical of its era, with no evident intentional diversity or race/gender swaps. Its narrative also aligns with the period's norms, presenting traditional identities without critique and not incorporating DEI themes.
Secondary
No information is available regarding the plot or characters of 'Slander the Woman' (1923) to assess the presence or portrayal of LGBTQ+ themes or characters.
The film 'Slander the Woman' (1923) does not appear to contain any transsexual characters or themes. Its plot centers on a woman's battle against false accusations, with no elements suggesting a portrayal of transgender identity or experiences.
The movie does not contain any action or adventure elements.
As an original film from 1923, "Slander the Woman" does not adapt characters from prior source material or historical records. All characters are new and original to this specific film, thus precluding any gender swaps from established canon.
There is no evidence that any character in 'Slander the Woman' (1923), an adaptation of 'The Charm School' novel, was canonically or historically established as a different race than portrayed in the film.
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