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When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
When Marie St. Clair believes she has been jilted by her artist fiance Jean, she decides to leave for Paris on her own. After spending a year in the city as a mistress of the wealthy Pierre Revel, she is reunited with Jean by chance. This leaves her with the choice between a glamorous life in Paris, and the true love she left behind.
The film critiques social superficiality and the moral compromises individuals make within a class-divided society, but it champions a solution rooted in individual redemption, simplicity, and compassion rather than systemic change, leading to a neutral political stance.
This 1923 silent film features a cast predominantly composed of white actors, reflecting the traditional casting practices of its era without intentional diversity or race/gender swaps. The narrative explores a social drama set in Parisian high society, focusing on themes of love and class, without explicitly critiquing traditional identities or incorporating modern DEI themes as central to its plot.
The film 'A Woman of Paris: A Drama of Fate' does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers entirely on heterosexual relationships and the social challenges faced by its protagonist, resulting in no depiction of queer identity.
The film "A Woman of Paris: A Drama of Fate" does not feature any identifiable transsexual characters or themes. Its narrative focuses on heterosexual relationships, class differences, and societal expectations in early 20th-century Paris, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
A Woman of Paris: A Drama of Fate is an original film from 1923. Its characters were created for this specific production, meaning there are no pre-existing canonical or historical figures whose gender could have been altered.
As an original silent film from 1923, "A Woman of Paris" introduced its characters without prior canonical or historical racial establishments. Therefore, no character could have been portrayed as a different race than originally established.
Combines user and critic ratings from four sources