3.1
Viewer Rating
Combines user and critic ratings from four sources
Triumph (1924)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 3.1
Overview
At the center of the story is Ann Land. Ann is a small factory worker and has only ever dreamed of great fame, recognition as an artist and applause ...
Starring Cast
Bias Dimensions
Political: Strong Right
Diversity: Low
Christianity: Positive
Overview
At the center of the story is Ann Land. Ann is a small factory worker and has only ever dreamed of great fame, recognition as an artist and applause ...
Starring Cast
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's central thesis, consistent with Cecil B. DeMille's known body of work, explicitly promotes the triumph of traditional moral values and divine order, championing a solution rooted in faith and adherence to established moral principles.
The movie features traditional casting, consistent with its historical context, without explicit race or gender swaps. Its narrative frames traditional identities neutrally or positively, without central DEI critiques.
Secondary
The film implicitly affirms Christian virtues such as self-sacrifice, love, and moral integrity through the protagonist's journey. Her 'triumph' is presented as a reward for her adherence to these values, while the narrative critiques the materialism and social prejudice of other characters.
Cecil B. DeMille's 1924 silent drama "Triumph" centers on a young woman's experiences with class disparity and romance. Based on comprehensive plot details and the historical context of its production, the film does not feature any identifiable LGBTQ+ characters or themes, thus there is no specific portrayal to evaluate.
Triumph (1924) is a silent drama centered on a young woman's struggles and romantic entanglements. Research into the film's plot and characters reveals no identifiable transsexual characters or themes. The narrative predates widespread public or cinematic discourse on transsexual identities, leading to a determination of N/A for its portrayal.
The movie does not contain any action or adventure elements.
Research into the 1924 film "Triumph" and its source novel by May Edginton reveals no instances where a character's established gender was altered for the screen adaptation. All major characters maintain their original gender.
Research indicates that "Triumph" (1924) is an adaptation of a novel, and there is no historical or canonical evidence suggesting any character's race was changed from the source material to the film. All primary actors were white, consistent with the implied race of characters in the original work.
Viewer Rating Breakdown
User Ratings
6.2
N/A
Critic Ratings
N/A
N/A
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