7.0
Viewer Rating
Combines user and critic ratings from four sources
The Divine Woman (1928)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.0
Overview
[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Overview
[For 9 minute surviving fragment] Lucian, a soldier in Paris, is to ship out for Algiers at 9 that evening. He stops by for a last meal with his love, Marianne. He may be worried that when he leaves she will find another soldier to love. They argue then embrace and, when the clock strikes midnight, he is still in her arms. Is desertion in the cards? Can the relationship survive the military demands and a soldier's obligations? A lost film.
Starring Cast
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film's central conflict explores universal human themes of love, sacrifice, and reputation, which lack a strong inherent political valence. The narrative focuses on individual emotional drama and personal choices rather than promoting a specific political ideology.
This 1928 silent film features traditional casting practices, primarily showcasing white actors in mainstream roles, consistent with the cinematic norms of its era. The narrative focuses on individual drama and romance without explicitly critiquing traditional identities or incorporating themes related to diversity, equity, or inclusion.
Secondary
The Divine Woman, a 1928 silent film, focuses on a heterosexual romance and a woman's rise to stardom. There are no identifiable LGBTQ+ characters, themes, or plot points present in the film's narrative. Consequently, the film does not offer any portrayal of LGBTQ+ identities.
The Divine Woman (1928) does not feature any transsexual characters or themes. The film's narrative focuses on a young woman's rise to stardom and her romantic entanglements, without engaging with gender identity or transition.
The movie does not contain any action or adventure elements.
The Divine Woman (1928) is an original film and not an adaptation of pre-existing material with established characters. Therefore, there is no prior canon or historical record to compare its characters against for a gender swap.
The Divine Woman (1928) is an adaptation of a play. There is no evidence that any character, canonically or historically established as one race, was portrayed by an actor of a different race.
Viewer Rating Breakdown
User Ratings
7.0
6.9
Critic Ratings
7.0
N/A
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