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A Parisian sewer worker longs for a rise in status and a beautiful wife. He rescues a girl from the police, lives with her in a barren flat on the seventh floor, and then marches away to war.
A Parisian sewer worker longs for a rise in status and a beautiful wife. He rescues a girl from the police, lives with her in a barren flat on the seventh floor, and then marches away to war.
The film's central narrative focuses on individual love and resilience as a means to overcome personal hardship and the destructive forces of war, rather than advocating for systemic change or engaging in political critique.
The movie features traditional casting for its era, with primarily white actors in all roles. Its narrative focuses on a romantic drama without critiquing or negatively portraying traditional identities, and it does not incorporate modern DEI themes.
The film, set in a predominantly Christian society, subtly aligns its themes of enduring love, hope, and sacrifice with virtues often associated with the faith. It presents a world where these values are implicitly upheld, without any critique or negative portrayal of Christianity itself.
Seventh Heaven (1937) is a romantic drama centered on a heterosexual couple's love story. The film does not feature any identifiable LGBTQ+ characters, themes, or plotlines. Consequently, there is no portrayal of LGBTQ+ identities to evaluate within its narrative.
Seventh Heaven (1937) does not feature any identifiable transsexual characters or themes. The story focuses on a heterosexual romance and the challenges faced by the couple during wartime, with no elements related to transgender identity.
The movie does not contain any action or adventure elements.
The 1937 film "Seventh Heaven" is an adaptation of a 1922 play and a 1927 film. All significant characters in the 1937 version maintain the same gender as established in the original source material and previous adaptation, with no instances of a character's canonical gender being changed.
The 1937 film "Seventh Heaven" is an adaptation of a 1922 play and a 1927 silent film. The main characters, Chico and Diane, were consistently portrayed as white in the source material and previous adaptations, and they are also portrayed by white actors in the 1937 film. No characters meet the definition of a race swap.
Combines user and critic ratings from four sources