8.9
Viewer Rating
Combines user and critic ratings from four sources
Double Indemnity (1944)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 8.9
Overview
A seductive housewife draws an insurance salesman into a plot of adultery and crime to collect on her husband's life insurance.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
A seductive housewife draws an insurance salesman into a plot of adultery and crime to collect on her husband's life insurance.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film explores universal themes of human greed, betrayal, and moral decay through a crime narrative, focusing on individual choices and their inevitable consequences rather than engaging with specific political ideologies or advocating for systemic change.
This 1944 film features a predominantly white cast in all major roles, reflecting the common casting practices of its era. The narrative explores themes of crime and moral compromise without engaging in any critique of traditional identities or incorporating explicit DEI themes.
Secondary
Double Indemnity, a classic film noir from 1944, focuses on a heterosexual illicit affair and murder plot. The narrative contains no discernible LGBTQ+ characters, relationships, or themes. Consequently, there is no portrayal of queer identity to evaluate within the film's storyline.
Double Indemnity, a 1944 film noir, does not feature any identifiable transsexual characters or themes. Its narrative focuses on a heterosexual relationship, insurance fraud, and murder, with no elements related to transgender identity or experiences.
The movie does not contain any action or adventure elements.
The film "Double Indemnity" is an adaptation of James M. Cain's novel. All principal characters in the film retain the same gender as established in the original source material, with no changes to their canonical gender.
The 1944 film "Double Indemnity" is an adaptation of James M. Cain's 1943 novella. The main characters, such as Walter Neff, Phyllis Dietrichson, and Barton Keyes, were consistently portrayed by white actors, aligning with their implied race in the source material. No character's race was altered from its established depiction.
Viewer Rating Breakdown
User Ratings
8.3
8.1
Critic Ratings
9.7
9.5
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