MovieBias
See all results for ""
BrowseAnalyticsAbout

The Return of the Vampire (1943)

Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.0
The Return of the Vampire poster

Overview

In 1918, an English family is terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Bias Dimensions

Political: Center
Diversity: Low
Christianity: Positive
Judaism: Positive

Overview

In 1918, an English family is terrorized by a vampire, until they learn how to deal with it. They think their troubles are over, but German bombs in WWII free the monster. He reclaims the soul of his wolfman ex-servant, and assuming the identity of a scientist who has just escaped from a concentration camp, he starts out on a plan to get revenge upon the family.


Starring Cast


Where to watch

Apple TV logoApple TV
Google Play logoGoogle Play
Fandango
Powered byJustWatch

Detailed Bias Analysis

Analyzing...
Leans Traditional

Primary

The film is a classic horror narrative centered on the struggle against a supernatural vampire. Its core subject matter and the nature of its problem/solution framework are largely apolitical, focusing on individual evil and survival rather than promoting specific progressive or conservative ideologies.

This classic 1943 horror film features a predominantly white cast typical of its era, with no evidence of intentional diversity-driven casting. The narrative focuses on a traditional vampire story without incorporating explicit critiques of traditional identities or central DEI themes.

Secondary

The film portrays Christian symbols and beliefs as powerful and effective against the supernatural evil of the vampire, affirming their protective qualities within the narrative.

The film portrays Dr. Walter Saunders, a Jewish refugee from Nazi Germany, as an intelligent, brave, and morally upright character whose expertise is crucial in combating the vampire. His backstory elicits sympathy, and the narrative affirms his character's dignity and importance.

The film "The Return of the Vampire" does not feature any identifiable LGBTQ+ characters or themes. Its narrative is centered on traditional horror elements involving a vampire and his victims, with no subtext or overt content related to queer identity.

The film 'The Return of the Vampire' (1944) does not feature any identifiable transsexual characters or themes. Its narrative is entirely focused on traditional horror elements involving a vampire and his supernatural activities, with no depiction of transgender identity in any capacity.

The movie does not contain any action or adventure elements.

The Return of the Vampire (1943) is an original film, not an adaptation of pre-existing material with established characters. Therefore, no characters had a prior canonical gender to be swapped from.

The film "The Return of the Vampire" (1943) features original characters and does not adapt pre-existing characters with established racial identities from prior source material or history. Therefore, no race swaps occurred.


Viewer Rating Breakdown

7.0

Viewer Rating

Combines user and critic ratings from four sources

User Ratings

IMDB logo
6.2
The Movie Database logo
6.1

Critic Ratings

Rotten Tomatoes logo
8.6
Metacritic logo
N/A

More Like This

The Black Cat poster
Leans Traditional
7.5
The Black Cat
 (1934)
Political: Center
Diversity: Low
Dracula poster
Leans Traditional
7.8
Dracula
 (1931)
Political: Center
Diversity: Low
Dressed to Kill poster
Traditional
7.4
Dressed to Kill
 (1980)
Political: Center
Diversity: Low
LGBTQ: Negative
Dr. Jekyll and Mr. Hyde poster
Leans Traditional
8.2
Dr. Jekyll and Mr. Hyde
 (1931)
Political: Center
Diversity: Low
Psycho poster
Traditional
9.1
Psycho
 (1960)
Political: Center
Diversity: Low
LGBTQ: Negative
The Return of the Living Dead poster
Leans Traditional
7.0
The Return of the Living Dead
 (1985)
Political: Center
Diversity: Low
The Beast from 20,000 Fathoms poster
Leans Traditional
7.4
The Beast from 20,000 Fathoms
 (1953)
Political: Center
Diversity: Low
Invasion of the Body Snatchers poster
Leans Traditional
8.5
Invasion of the Body Snatchers
 (1956)
Political: Center
Diversity: Low
Evil Dead II poster
Leans Traditional
7.8
Evil Dead II
 (1987)
Political: Center
Diversity: Low
The Evil Dead poster
Leans Traditional
7.6
The Evil Dead
 (1981)
Political: Center
Diversity: Low
A Nightmare on Elm Street poster
Leans Traditional
7.9
A Nightmare on Elm Street
 (1984)
Political: Center
Diversity: Low
Halloween poster
Leans Traditional
8.5
Halloween
 (1978)
Political: Center
Diversity: Low
The Ring poster
Center
6.7
The Ring
 (2002)
Political: Center
Diversity: Low
Ouija: Origin of Evil poster
Leans Traditional
6.8
Ouija: Origin of Evil
 (2016)
Political: Center
Diversity: Low
Scream poster
Leans Traditional
7.3
Scream
 (1996)
Political: Center
Diversity: Low
Army of Darkness poster
Leans Traditional
6.9
Army of Darkness
 (1992)
Political: Center
Diversity: Low
Bram Stoker's Dracula poster
Leans Traditional
6.9
Bram Stoker's Dracula
 (1992)
Political: Center
Diversity: Low
The Haunted Palace poster
Leans Traditional
6.9
The Haunted Palace
 (1963)
Political: Center
Diversity: Low
The Omen poster
Traditional
7.4
The Omen
 (1976)
Political: Leans Right
Diversity: Low
The Invisible Man poster
Leans Traditional
8.3
The Invisible Man
 (1933)
Political: Center
Diversity: Low
MovieBias

Privacy PolicyTerms of ServiceCookies PolicyAI Policy

Copyright 2025 © moviebias.com