6.7
Viewer Rating
Combines user and critic ratings from four sources
Cheyenne (1947)
Bias Rating
Analyzing...
Traditional
Viewer Rating
Rating: 6.7
Overview
Slick gambler James Wylie is apprehended by the law and given the option to forgo a prison sentence if he poses as a bandit. His mission is to uncover the identity of the Poet, a notorious outlaw who has been holding up bank-owned stagecoaches and leaving verses at the crime scenes to taunt the authorities. James finds time to woo the Poet's lovely wife, Ann, who initially cold-shoulders him. But, as a romance develops, they partner up to find the robber.
Starring Cast
Where to watch
Bias Dimensions
Political: Leans Right
Diversity: Low
Christianity: Positive
Overview
Slick gambler James Wylie is apprehended by the law and given the option to forgo a prison sentence if he poses as a bandit. His mission is to uncover the identity of the Poet, a notorious outlaw who has been holding up bank-owned stagecoaches and leaving verses at the crime scenes to taunt the authorities. James finds time to woo the Poet's lovely wife, Ann, who initially cold-shoulders him. But, as a romance develops, they partner up to find the robber.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Traditional
Primary
The film's narrative champions individual responsibility and the restoration of law and order through the actions of a heroic individual, aligning its dominant themes with traditional conservative values rather than explicitly promoting progressive ideology or systemic critiques.
This 1947 Western features a cast primarily composed of white actors, reflecting the traditional casting practices of its era without intentional race or gender swaps for established roles. The narrative centers on white protagonists, portraying traditional identities in a neutral or positive light, and does not incorporate explicit critiques of these identities or strong DEI themes as central to its plot.
Secondary
In 'Cheyenne,' Christian values implicitly form the moral backbone of the narrative, guiding characters towards justice and ethical conduct. The film's portrayal aligns with virtues often associated with Christian ethics, presenting them as a positive influence within the Western setting.
The film 'Cheyenne' (1947) is a traditional Western that does not include any discernible LGBTQ+ characters or themes. Its narrative centers on crime, justice, and romance typical of its genre and era, with no elements related to queer identity.
The 1947 Western film 'Cheyenne' does not include any transsexual characters or themes. Its narrative focuses on a lawyer tracking a stagecoach robber, aligning with typical genre conventions of its era without addressing transgender identity.
The movie does not contain any action or adventure elements.
Cheyenne (1947) is an original Western film, not an adaptation of pre-existing material with established characters. All characters were created for this specific film, thus no gender swaps occurred from prior canon or historical records.
The film "Cheyenne" (1947) features original characters created for this specific movie. There is no prior source material, historical record, or previous installment establishing the race of its characters before this film's production.
Viewer Rating Breakdown
User Ratings
6.5
6.8
Critic Ratings
N/A
N/A
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