7.2
Viewer Rating
Combines user and critic ratings from four sources
Song of the Thin Man (1947)
Bias Rating
Analyzing...
Leans Traditional
Viewer Rating
Rating: 7.2
Overview
Society sleuths Nick and Nora Charles investigate a murder in a jazz club.
Starring Cast
Where to watch
Bias Dimensions
Political: Center
Diversity: Low
Overview
Society sleuths Nick and Nora Charles investigate a murder in a jazz club.
Starring Cast
Where to watch
Detailed Bias Analysis
Analyzing...
Leans Traditional
Primary
The film is a classic murder mystery focused on entertainment and character interaction, with no explicit political agenda or underlying ideological message. Its core conflict and resolution are apolitical, centering on individual deduction to solve a crime.
This 1947 film features a predominantly white cast, consistent with classic Hollywood productions of its era, and does not include intentional race or gender swaps for traditional roles. The narrative positively frames traditional identities without any explicit critique or central DEI themes.
Secondary
Song of the Thin Man does not feature any identifiable LGBTQ+ characters or themes. The film's narrative focuses on a traditional murder mystery without incorporating queer identities or experiences.
The film "Song of the Thin Man" does not feature any identifiable transsexual characters or themes. The narrative focuses on a murder mystery set on a gambling ship, involving jazz musicians and various suspects, without engaging with transgender identity in any capacity.
The movie does not contain any action or adventure elements.
The film is the sixth installment of the 'Thin Man' series. The main characters, Nick and Nora Charles, maintain their established genders from the original Dashiell Hammett novel and all previous films in the series. No canonical characters have their gender altered.
The film is the sixth installment in a series, with its main characters, Nick and Nora Charles, consistently portrayed by the same white actors (William Powell and Myrna Loy) throughout the franchise, aligning with their established depictions in the source material. No characters were established as one race in prior canon or source material and then portrayed as a different race in this film.
Viewer Rating Breakdown
User Ratings
6.9
6.7
Critic Ratings
9.1
6.0
More Like This
Leans Traditional
8.4
The Thin Man
(1934)
Political: Center
Diversity: Low
Leans Traditional
8.0
After the Thin Man
(1936)
Political: Center
Diversity: Low
Leans Traditional
7.3
Shadow of the Thin Man
(1941)
Political: Center
Diversity: Low
Leans Traditional
7.3
Another Thin Man
(1939)
Political: Center
Diversity: Low
Leans Traditional
7.1
The Thin Man Goes Home
(1944)
Political: Center
Diversity: Low
Leans Traditional
6.6
Murder by Death
(1976)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
7.0
Revenge of the Pink Panther
(1978)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Bob's Burgers Movie
(2022)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.1
The Return of the Pink Panther
(1975)
Political: Center
Diversity: Low
Leans Traditional
7.5
The Private Life of Sherlock Holmes
(1970)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.6
Family Plot
(1976)
Political: Center
Diversity: Low
Leans Traditional
7.7
A Shot in the Dark
(1964)
Political: Center
Diversity: Low
Leans Traditional
7.7
Garfield's Babes and Bullets
(1989)
Political: Center
Diversity: Low
Leans Traditional
7.0
Hail, Caesar!
(2016)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
Broadway Bill
(1934)
Political: Center
Diversity: Low
Leans Traditional
8.1
Point Blank
(1967)
Political: Center
Diversity: Low
Leans Traditional
8.1
Love Crazy
(1941)
Political: Center
Diversity: Low
Leans Traditional
7.0
The Bachelor and the Bobby-Soxer
(1947)
Political: Center
Diversity: Low
Leans Traditional
8.3
My Man Godfrey
(1936)
Political: Center
Diversity: Low
Leans Traditional
6.9
Son of Flubber
(1963)
Political: Center
Diversity: Low