7.6
Viewer Rating
Combines user and critic ratings from four sources
The Tales of Hoffmann (1951)
Bias Rating
Analyzing...
Center
Viewer Rating
Rating: 7.6
Overview
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
Starring Cast
Bias Dimensions
Political: Center
Diversity: Low
Gender Swap: Yes
Overview
A melancholy poet reflects on three women he loved and lost in the past: a mechanical performing doll, a Venetian courtesan, and the consumptive daughter of a celebrated composer.
Starring Cast
Detailed Bias Analysis
Analyzing...
Center
Primary
The film's central subject matter, an operatic fantasy exploring romantic idealism, artistic struggle, and the nature of illusion, is inherently apolitical. It focuses on universal human experiences rather than promoting or critiquing specific political ideologies.
This film, an adaptation of a 19th-century opera, features a predominantly white cast consistent with its source material and production era, without intentional race or gender swaps. Its narrative focuses on a fantasy romance without engaging with modern DEI themes or critiquing traditional identities.
Secondary
The character Nicklausse, Hoffmann's male companion in the original opera, is portrayed by a female actress (Moira Shearer) as female in the film, constituting a gender swap.
The film "The Tales of Hoffmann" does not feature any identifiable LGBTQ+ characters or themes. Its narrative centers on the poet Hoffmann's three failed heterosexual romances and his artistic endeavors, without exploring queer identities or relationships within its fantastical opera setting.
The film "The Tales of Hoffmann" (1951) does not feature any identifiable transsexual characters or themes. Its narrative, based on Offenbach's opera, focuses on fantastical tales of love and loss without engaging with gender identity or transition.
The movie does not contain any action or adventure elements.
The 1951 film adaptation of Offenbach's opera, based on E.T.A. Hoffmann's stories, features characters who are canonically European. The cast selected for the film aligns with these established racial depictions, with no instances of a character's race being altered from the source material.
Viewer Rating Breakdown
User Ratings
7.1
7.1
Critic Ratings
8.5
7.6
More Like This
Leans Traditional
8.6
The Red Shoes
(1948)
Political: Center
Diversity: Low
Leans Traditional
8.5
A Matter of Life and Death
(1946)
Political: Center
Diversity: Low
Leans Traditional
7.7
The Small Back Room
(1949)
Political: Center
Diversity: Low
Leans Traditional
8.6
The Life and Death of Colonel Blimp
(1943)
Political: Center
Diversity: Low
Leans Traditional
6.6
Finding Your Feet
(2017)
Political: Center
Diversity: Low
Leans Traditional
7.1
About Time
(2013)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.8
One of Our Aircraft Is Missing
(1942)
Political: Center
Diversity: Low
Traditional
7.0
The Battle of the River Plate
(1956)
Political: Leans Right
Diversity: Low
Leans Traditional
7.5
Harry Potter and the Philosopher's Stone
(2001)
Political: Center
Diversity: Low
Center
8.3
Harry Potter and the Prisoner of Azkaban
(2004)
Political: Center
Diversity: Low
Female Combat: Yes
Leans Traditional
7.2
The Great Muppet Caper
(1981)
Political: Center
Diversity: Low
Leans Traditional
7.0
Girl with a Pearl Earring
(2003)
Political: Center
Diversity: Low
Leans Traditional
6.8
Excalibur
(1981)
Political: Center
Diversity: Low
Traditional
6.6
The Chronicles of Narnia: The Silver Chair
(1990)
Political: Leans Right
Diversity: Low
Leans Traditional
7.6
About a Boy
(2002)
Political: Center
Diversity: Low
Traditional
7.6
Notes on a Scandal
(2006)
Political: Center
Diversity: Low
LGBTQ: Negative
Leans Traditional
8.2
Pride & Prejudice
(2005)
Political: Center
Diversity: Low
Leans Traditional
7.0
Bridget Jones's Diary
(2001)
Political: Center
Diversity: Low
LGBTQ: Neutral
Leans Traditional
7.5
Finding Neverland
(2004)
Political: Center
Diversity: Low
Leans Traditional
6.8
Labyrinth
(1986)
Political: Center
Diversity: Low